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Laughter in the dark: Irony, black comedy and 'noir' in David Lynch, the Cohen Brothers and Quentin Tarantino

Tuck, Greg

Authors

Greg Tuck



Contributors

Mark Bould
Editor

Kathrina Glitre
Editor

Greg Tuck
Editor

Abstract

While rarely discussed in relation to humour, a general ironic atmosphere permeates much film noir. With neo-noir this tendency towards irony seems even more pronounced. Dark ironic humour is more readily identifiable in these texts, particularly the double coding and surreal representation of violence, terror and pain. This chapter explores the comic representation of neo-noir violence particularly in relation to the two antithetical pairings of irony and nostalgia, and, pastiche and the absurd. It will ask in what respect such laughter in the dark offers a continuation, development or negation of the modernist parody of the original cycle.

Publication Date Oct 1, 2009
Peer Reviewed Peer Reviewed
Pages 153-168
Book Title Neo-Noir
ISBN 978-1906660178
Keywords neo-noir, film, violence, comedy, surrealism
Public URL https://uwe-repository.worktribe.com/output/992203
Publisher URL http://www.wallflowerpress.co.uk/product/film-media/neo-noir


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