Dr Michaela Palmer Mic.Palmer@uwe.ac.uk
School Director (Partnerships)
The paper investigates environmental data sonification as a method, and examines the compromises between quantifying and qualifying data in order to aid listeners’ interpretation of sounds. Based on this it discusses different kinds of ‘accuracies’ that may be applied in the creation of sonic representations. These accuracies are often connected with listeners’ perceptions of where and how they are located within a landscape. It is argued that skillful use of mapping techniques and generative sound synthesis can deepen and intensify listeners’ impression of being within a specific landscape, such as the Severn estuary, UK.
Presentation Conference Type | Conference Paper (unpublished) |
---|---|
Conference Name | ISEA2011 Istanbul, The 17th International Symposium on Electronic Art |
Start Date | Sep 14, 2011 |
End Date | Sep 21, 2011 |
Deposit Date | Jul 15, 2013 |
Publicly Available Date | Feb 16, 2016 |
Peer Reviewed | Not Peer Reviewed |
Keywords | sonification, sonic art, generative art, geography, interdisciplinary practice |
Public URL | https://uwe-repository.worktribe.com/output/959127 |
Publisher URL | http://isea2011.sabanciuniv.edu/paper/breathing-and-geography-%E2%80%93-sonifying-severn-shared-generative-art-practice |
Additional Information | Additional Information : The conference proceedings have been published online at http://isea2011.sabanciuniv.edu/paper-list Title of Conference or Conference Proceedings : ISEA2011 Istanbul, The 17th International Symposium on Electronic Art |
Contract Date | Feb 16, 2016 |
ISEA2011_Palmer.pdf
(120 Kb)
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