Skip to main content

Research Repository

Advanced Search

Naturalism and decadence: The case of Hubert Crackanthorpe

Greenslade, William

Authors

William Greenslade



Contributors

Jason. D. Hall
Editor

Alex Murray
Editor

Abstract

This chapter examines the conjunctions between naturalist poetics and decadent sensibility in late nineteenth-century British fiction. It examines how the highly influential yet aesthetically problematic reach of naturalism became entangled in debates in 1880s and early 1890s about realism and naturalism, the status of fiction and questions of taste in literary representation. The chapter goes onto examine the case of the short story writer and critic, Hubert Crackanthorpe who engages both with naturalist seeing in the bleak subject matter of his ‘documents of hell’ (as one critic put it) and with a conscious aestheticizing of this subject matter in his deliberately dispassionate handling of the human predicaments he opens up. The chapter argues that Crackanthorpe occupies a pivotal place in the negotiation between naturalist and aesthetic modes of seeing and, as such, is a significant figure in the evolution of the modernist short story in Britain.

Publication Date Jun 13, 2013
Peer Reviewed Peer Reviewed
Pages 163-180
Series Title Palgrave Studies in Nineteenth-Century Writing and Culture
Book Title Decadent Poetics: Literature and Form at the British Fin de Siecle
ISBN 9781137348289
Keywords Crackanthorpe, naturalism, decadence
Public URL https://uwe-repository.worktribe.com/output/930914
Publisher URL http://www.palgrave.com/gb/book/9781137348289
Contract Date Jan 15, 2012