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She’s Been Away: Ageing, madness and memory

Wilson, Sherryl

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Authors



Contributors

Ulla Kriebernegg
Editor

Roberta Maierhofer
Editor

Barbara Ratzenböck
Editor

Abstract

She’s Been Away is a television drama written by Stephen Poliakoff and broadcast in the UK on the BBC in 1989. This paper discusses the ways in which the play unusually presents a feminist critique of contemporary patriarchal structures through the mobilisation of an elderly woman’s memories that, once excavated, liberate her and act as a force for empowerment in a younger woman. I draw on the ideas of prothestic memory posited by Alison Landsberg (2004) to argue that memory provides a mechanism through which the confluence of madness, old age and memory disrupts expectations and punctures the consciousness. The combination of Lillian’s age and her intergenerational relation with her niece-in-law subvert the well worn tropes and reconfigures ageing as wisdom able to produce a new sense of empowerment. As such, She’s Been Away is both a celebration of the unruly older woman and a meditation on the power of memory to produce counter discourse.

Publication Date Mar 24, 2014
Deposit Date Oct 21, 2013
Publicly Available Date Feb 10, 2016
Journal Aging Studies Series entitled “Alive and Kicking at All Ages: Cultural Constructions of Health and Life Course Identity.”
Peer Reviewed Not Peer Reviewed
Volume 5
Pages 187-202
Series Title Aging Studies
Book Title Alive and Kicking at All Ages: Cultural Constructions of Health and Life Course Identity
ISBN 9783837625820
Keywords ageing, madness, television drama, memory, unruly, patriarchy
Public URL https://uwe-repository.worktribe.com/output/820146
Publisher URL http://www.transcript-verlag.de/978-3-8376-2582-0/alive-and-kicking-at-all-ages
Contract Date Feb 10, 2016

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