Xavier Aure Calvet
Revisiting paintings: Automated 2.5D capture for large planar artworks
Aure Calvet, Xavier; Akula, Chatrapathi; Hirani, Kyle
Authors
Chatrapathi Akula
Kyle Hirani
Abstract
This paper presents a practical method for digitally capturing and visualising paintings, utilising a custom 3D scanner that combines Reflectance Transformation Imaging (RTI) and photogrammetry. Focused on creating highly detailed 2.5D images, the method ensures precise data alignment and high-resolution output. The technique was applied to Canaletto's 'The Grand Canal, Ascension Day', revealing intricate surface details and artistic techniques, previously unseen. These large, high-resolution images, viewable through an online zoomable viewer, provide access to artwork details, enhancing both public engagement and scientific documentation.
Presentation Conference Type | Conference Paper (published) |
---|---|
Conference Name | EVA 2024 |
Start Date | Jul 8, 2024 |
End Date | Jul 12, 2024 |
Acceptance Date | Mar 15, 2024 |
Online Publication Date | Jul 1, 2024 |
Publication Date | Jul 1, 2024 |
Deposit Date | Jun 28, 2024 |
Publicly Available Date | Jul 1, 2024 |
Series Title | Electronic Workshops in Computing |
Series ISSN | 1477-9358 |
Book Title | Proceedings of EVA London 2024 |
DOI | https://doi.org/10.14236/ewic/eva2024.54 |
Public URL | https://uwe-repository.worktribe.com/output/12087899 |
Files
Revisiting paintings: Automated 2.5D capture for large planar artworks
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Licence
http://creativecommons.org/licenses/by/4.0/
Publisher Licence URL
http://creativecommons.org/licenses/by/4.0/
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