"Truly it felt like year one": A tour of Angela Carter's 1960s Bristol

Crofts, Charlotte

Abstract

A Tour of Angela Carter's 1960s Bristol’ virtual tour by Angela Carter Society at Being Human Festival of the Humanities, 14 Nov.

Join author Dr Stephen Hunt (Angela Carter’s Provincial Bohemia) on a virtual tour of Angela Carter’s 1960s Bristol, followed by Q&A with Professor Marie Mulvey-Roberts and Dr Charlotte Crofts (co-founders of the Angela Carter Society).

Angela Carter was one of the twentieth-century’s most acclaimed novelists and came of age as a writer in 1960s Clifton, where she experienced life in post-war Bristol, looking at a horizon bombed-out and derelict, but also booming with reconstruction schemes. On this tour through Clifton and Hotwells, we revisit the places and counterculture that inspired her writing, in a society undergoing transformation and renewal so profound, that she declared: “Truly, it felt like Year One.” The event uses Carter’s writing as a springboard for a collective reimagining of the future through glimpses of alternative realities. The tour also draws on Dr Zoe Brennan’s (UWE Bristol) chapter ‘Angela Carter’s Bristol Trilogy: A Gothic Perspective on Bristol’s 1960s Counter Culture’ in Mulvey-Roberts (ed.) Literary Bristol: Writers and the City (Redcliffe Press, 2015).

“Premonition of the imminent end of the world is always a shot in the arm for the arts; if the world has, in fact, just ended, what then?” (Angela Carter, “The Alchemy of the Word,” 1978).

Panelists
Dr Stephen Hunt (UWE Bristol) has a background in environmental humanities and is the author of Angela Carter's Provincial Bohemia: The Counter Culture in 1960s and 1970s Bristol and Bath (Bristol Radical History Group, 2020). He is currently editing a collection on the Kurdish environmental movement. He is also a long-time member of the Bristol Radical History Group.

Professor Marie Mulvey-Roberts (UWE Bristol) is the editor of The Arts of Angela Carter: A Cabinet of Curiosities (MUP, 2019) and co-editor with Charlotte Crofts of the forthcoming Angela Carter’s Pyrotechnics (Bloomsbury 2020). She co-curated the exhibition Strange Worlds: The Vision of Angela Carter at the Royal West of England Academy and co-produced performances of two musical adaptations from The Bloody Chamber, which she helped commission. The book is also the focus of a Massolit film she made on Angela Carter for schools. She started up the Get Angela Carter website to celebrate Angela Carter's Bristol connections with Charlotte Crofts.

Dr Charlotte Crofts (UWE Bristol) is Associate Professor in Filmmaking at the University of the West of England (UWE Bristol, UK), a filmmaker and creative producer. Her PhD was on Angela Carter’s writing for radio, film and television (since published as Anagrams of Desire by MUP, 2003) and she has also published on Angela Carter’s Japanese writings in Rebecca Munford (ed.) Re-Visiting Angela Carter (Palgrave, 2006). As well as co-editing Pyrotechnics (with Marie Mulvey-Roberts) she is also co-editing a special issue of Contemporary Women's Writing (OUP) on Angel Carter and Japan with Professor Natsumi Ikoma and she has a feature film adaptation of Angela Carter's 'Flesh and the Mirror' in development with BFI.

See the Get Angela Carter website: http://getangelacarter.co.uk/truly-it-felt-like-year-one-a-tour-of-angela-carters-1960s-bristol

• Digital Artefact Type: Image
• Publication Date: Nov 14, 2020
• Deposit Date: Jan 6, 2023
• Publicly Available Date: Jan 10, 2023
• Keywords: Angela Carter; Radical History; 1960s
• Public URL: https://uwe-repository.worktribe.com/output/10290036
• External URL: https://youtu.be/gPHQ7Ul1zgo