Michael Lawrence
Shaking an elephant: Sound, spectatorship and suspense, 1925-1930
Lawrence, Michael
Authors
Abstract
An analysis of the representation of sound in Tod Browning’s The Unholy Three and its sound remake by Jack Conway.
Presentation Conference Type | Conference Paper (unpublished) |
---|---|
Conference Name | Screen Conference |
Start Date | Jul 6, 2008 |
End Date | Jul 6, 2008 |
Peer Reviewed | Not Peer Reviewed |
Keywords | sound, cinema, suspense, Tod Browning |
Public URL | https://uwe-repository.worktribe.com/output/1010859 |
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