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Outputs (36)

Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation (2021)
Presentation / Conference Contribution

This extended abstract accompanies a research film submission.

This film makes three observations on the filming of tactility and movement in order to adequately convey tacit knowledge in embodied ways. The author, Wuon-Gean Ho, studied the craft... Read More about Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation.

Dream lunch (2021)
Journal Article

Wuon-Gean Ho’s Dream Lunch looks at personal depictions of food and consider how these have changed in recent months of solitude. Wuon-Gean reflects on how printmaking has some parallels with cooking, in the gathering of ingredients with a goal in mi... Read More about Dream lunch.

Dream lunch (2021)
Presentation / Conference Contribution

DURING THE FIRST MONTHS of the pandemic the intimate connection of food and our stability was amplified. We stockpiled beans, devoured ice1 cream novelties and became increasingly aware of the instability and inequity of the entire food system. While... Read More about Dream lunch.

Narrative color (2021)
Journal Article

In this paper Wuon-Gean Ho outlines how color has played a narrative role in her printed works of the past four years. She talks about how she uses a specific way of applying ink that extends the color range of each plate and how the resulting effect... Read More about Narrative color.

Gaze light & cheek gaze (2020)
Journal Article

Wuon-Gean Ho writes of her personal response to lockdown’s enforced lack of touch, and shows prints made during that time.