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Judith Dean's Outputs (8)

Rome at the Poetry Society (2019)
Exhibition / Performance

I’m invading The Poetry Society, throughout its centenary year, with Rome; an invitation to exhibit has been interpreted as an invitation to occupy. Invasion is messy and involves considerable negotiation: art, poetry, Rome collide. There is both sup... Read More about Rome at the Poetry Society.

Beaconsfield residency (2019)
Exhibition / Performance

This output consists of thirty works produced by Dean during her as artist-in-residency (March-November 2013) at the invitation of Beaconsfield directors David Crawforth and Naomi Siderfin (http://beaconsfield.ltd.uk/projects/judith-dean-residency/).... Read More about Beaconsfield residency.

Judith Dean - Phase 4 (2013)
Exhibition / Performance

Judith Dean was commissioned by the directors of Beaconsfield, London, to undertake a 6 month public facing residency, culminating in a venue-wide one-person exhibition. This was funded by the Arts Council.

Dean began the residency employing past... Read More about Judith Dean - Phase 4.

idonthaveyourmarbles (2011)
Exhibition / Performance

An international ongoing collaborative project operating within a pre-existing economic framework (ebay), in which artefacts (made / found objects of questionable value) are listed for 10 days a month, with invites to participate sent to members of t... Read More about idonthaveyourmarbles.

BLOCK BLOCK (2010)
Exhibition / Performance

Exhibition / Installation with Performances

OperationRome (2009)
Exhibition / Performance

Dean was invited by Judith Palmer, director of the Poetry Society, London, to become artist-in-residence throughout the Society’s centenary year 2009. Dean’s art installation/performance OperationRome, drawing on her ongoing research into the spaces... Read More about OperationRome.

Investment
Exhibition / Performance

Investment is a silver cast of a (cancelled) credit card in my name, signed on the back either by the wax maker, the foundry director, or myself. Both sides of the piece must be visible to the viewer, preferably by picking it up.