Dr Charlotte Crofts' Outputs (7)

Making the pilgrimage: Cary Grant’s hometown, Bristol City of Film (2018)
Presentation / Conference Contribution

Film tourism extends to paying homage to not only film locations (“set-jetting”), but also to places that have a physical connection to characters, actors and celebrities, including their place of birth. Global film icon Cary Grant, heralded as the “... Read More about Making the pilgrimage: Cary Grant’s hometown, Bristol City of Film.

Getting published (2018)
Presentation / Conference Contribution

BAFTSS Postgraduate network workshop and panel discussion: ‘Getting published’

"Nothing sacred”: Translating Angela Carter’s transgressive Japanese writings to film (2018)
Presentation / Conference Contribution

Angela Carter spent several years in Japan in the late 1960s early 1970s where she claims she "learnt what it is to be a woman and became radicalised". At that time, Japanese culture was undergoing a cultural explosion in response to post-war occupat... Read More about "Nothing sacred”: Translating Angela Carter’s transgressive Japanese writings to film.

Demystifying the REF (2018)
Presentation / Conference Contribution

Postgraduate network workshop panel discussion: ‘Demystifying the REF’

Screenworks: Publishing academic film (2018)
Presentation / Conference Contribution

Peer review of practice research - Panel discussion (2018)
Presentation / Conference Contribution

AHRC Filmmaking research network (FRN) panel

Translating cultures: Literary gymnastics and formal hybridity in adapting Angela Carter’s Japanese writings for the screen (2018)
Presentation / Conference Contribution

Angela Carter, one of the best known British writers of the 20th Century, was actively involved with the adaptation of her own work and also wrote directly for radio, film and television (explored in Crofts, 2003). She would have gone on to write mor... Read More about Translating cultures: Literary gymnastics and formal hybridity in adapting Angela Carter’s Japanese writings for the screen.