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Dr Judith Aston's Outputs (9)

Interactive documentary and thick description: Embracing complexity and transcultural understanding (2017)
Presentation / Conference Contribution

This paper builds on my work as a founding director of i-Docs (i-docs.org) and on my background in anthropology. It explores how Geertz’s concept of ‘thick description’ can be applied to interactive documentary as a tool for engaging with complexity... Read More about Interactive documentary and thick description: Embracing complexity and transcultural understanding.

From ‘embodied interaction’ to ‘emplaced interaction’: Thinking through the transformative potential of interactive documentary (2017)
Presentation / Conference Contribution

In 2016, interactive pioneer Chris Milk launched his new company With.in through an article on ‘The Future of Virtual Reality’, in which he called VR “the last medium” and claimed that it “will be more than just a storytelling platform. It will be a... Read More about From ‘embodied interaction’ to ‘emplaced interaction’: Thinking through the transformative potential of interactive documentary.

Spatial montage and the enchantment of everyday life: towards the development of fluid interfaces for interactive documentary (2010)
Presentation / Conference Contribution

Building on Lev Manovich’s ideas about spatial montage and interactive cinema, this paper will provide examples of the author’s approach to interactive documentary based on an ongoing collaboration between the author and the anthropologist, Wendy Jam... Read More about Spatial montage and the enchantment of everyday life: towards the development of fluid interfaces for interactive documentary.

Direct cinema and a making of the ‘real’: polyphonic narrative, spatial montage and cinema-sincerity (2009)
Presentation / Conference Contribution

Building on Rouch’s thoughts on cinema-sincerity, this paper will interrogate new possibilities for the creation of polyphonic narratives brought about by the multiple windows environment of 21st century computing. Drawing on material recorded in the... Read More about Direct cinema and a making of the ‘real’: polyphonic narrative, spatial montage and cinema-sincerity.