Andrew Spicer's Outputs (4)

Autonomy and dependency in two successful UK film and television companies: An analysis of RED Production Company and Warp Films (2016)
Journal Article

This article analyses the production cultures of two film and television companies in the United Kingdom - RED Production and Warp Films - by discussing the companies' formation and identity, aims and ethos, internal structures and their networks of... Read More about Autonomy and dependency in two successful UK film and television companies: An analysis of RED Production Company and Warp Films.

'The general public don’t need to know who we are. We’re building a profile for the industry as a whole’: Inward engagement in the UK film and television industries (2015)
Presentation / Conference Contribution

The paper stems from research undertaken as part of SiFTI (Success in the Film and Television Industries), a research project analysing the production cultures of several small-to-medium sized critically and commercially successful film and televisio... Read More about 'The general public don’t need to know who we are. We’re building a profile for the industry as a whole’: Inward engagement in the UK film and television industries.

A British empire of their own? Jewish entrepreneurs in the British film industry (2012)
Journal Article

The article provides an overview of the contribution of Jewish entrrpreneurs to the British film industry from the beginnings through to the present. It argues that film was an open and rapidly expanding industry that offered exciting opportunities i... Read More about A British empire of their own? Jewish entrepreneurs in the British film industry.

Film noir and Los Angeles (2011)
Book Chapter

An overview of the different ways in which Los Angeles has been represented in film noir and neo-noir, so films from the 1940s to the present, from Double Indemnity (1944) to Collateral (2004). The essay explores the particular relationship between L... Read More about Film noir and Los Angeles.