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Write Here - for Field Report (2022)
Physical Artefact
Bodman, S. Write Here - for Field Report. [Artist's Book]. Australia

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2021 published the following year, June 2022. Artists contribute 100 pages of their 'report' which is a documentat... Read More about Write Here - for Field Report.

Read With Me (2022)
Physical Artefact
Bodman, S. Read With Me. [Risograph and relief print]. London/Bristol, UK

Read With Me. Extending from the experimental book project ‘Read to Me’, this book is the result of: a performative drawing event, readings by a psychometric reader, collages made during lockdown and words assembled from the dissected readings. It wa... Read More about Read With Me.

Ripley's Buttons (2022)
Physical Artefact
Bodman, S., & Dixon, J. Ripley's Buttons. [Badges]. Bristol

A collaboration with poet Jeremy Dixon of Hazard Press. A limited edition of 50 sets of 6 text and image badges in tribute to 'The Talented Mr Ripley' by Patricia Highsmith.

Dinner and a Rose (2021)
Physical Artefact
Bodman, S., & Campbell, N. Dinner and a Rose. [Digital print with silver detail on Nautilus Classic 135gsm recycled paper.]. Bristol

Dinner and a Rose Sarah Bodman & Nancy Campbell Artist Sarah Bodman and poet Nancy Campbell have created a new edition of Dinner and a Rose, an artist’s book in homage to the novel The Talented Mr Ripley by Patricia Highsmith. Originally produce... Read More about Dinner and a Rose.

The golden box (2021)
Physical Artefact
Boons, S. The golden box. [Handkerchief, gold, bioresin]

Home, four walls, both protecting and isolating from a world outside. A safe domestic haven, for contemplation, reflection and nourishment. A place of clarity, order and love, hidden from turmoil and chaos

Right here, right now - Observations, speculations & hallucinations (2020)
Physical Artefact
Bodman, S. Right here, right now - Observations, speculations & hallucinations. [publish on demand]. Winchester, UK

This publication represents the output from an open call made to artists and designers in middle of a Covid-19 pandemic, April to May 2020. The result is a kind of visual atlas, photos and drawings, multiple perspectives of the same moment. Contri... Read More about Right here, right now - Observations, speculations & hallucinations.

Wipe (2020)
Physical Artefact
Bodman, S. Wipe. [rubber stamps]. UK

Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium in sharp contrast with the artistic concern for archi... Read More about Wipe.

Field Report - Journal of Field Study International (2020)
Physical Artefact
Bodman, S. Field Report - Journal of Field Study International. [printed publication in an edition of 100 copies]. Australia

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2019 published the following year, June 2020. Artists contribute 100 pages of their 'report' which is a documenta... Read More about Field Report - Journal of Field Study International.

Susan Hiller (2020)
Physical Artefact
Bodman, S., Oechsler, M., & Kivland, S. Susan Hiller. [printed publication]. UK/France

‘Susan Hiller’ artist's page contribution to Salon for a Speculative Future, edited by Monika Oechsler with Sharon Kivland, published by Ma Bibliothèque, ISBN 978-1-910055-72-4, June 2020

Lago Cremisi Permanente (2019)
Physical Artefact
Bodman, S., & Cherniwchan, C. Lago Cremisi Permanente. Messina, Italy

A text and image response to the short story ‘Watching God’ in the collection Three Moments of an Explosion by China Miéville. This a new book, based on the collaborative artist’s book trilogy (Red Blue Shades, Perm Green Light & Cad Yellow Deep) Edi... Read More about Lago Cremisi Permanente.

Desire Lines (2019)
Physical Artefact
Hoskins, S., Hingley, L., & Bual, S. Desire Lines. [paper, digital print]. UWE Bristol

Large scale kites printed on paper commissioned as part of the AHRC funded Design, material culture and popular creativity in suburban faith communities. This project explores the ways in which suburban faith communities create space focusing on arc... Read More about Desire Lines.

Always Arriving (2019)
Physical Artefact
Fahy, N. (2019). Always Arriving. [Laser Cutting Relief Print]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of te... Read More about Always Arriving.

Gwalia Gazette (2019)
Physical Artefact
Bodman, S., Parr, L., Butler, A., & Campbell, N. Gwalia Gazette. Bristol, UK

A collaboration with 47 national and international artists for World Book Night 2019. Coordinated by Linda Parr. In collections: Tate Britain, London, UK; UWE Bristol Special Collections, Bower Ashton Library, Bristol, UK; Biblioteca Universitária UF... Read More about Gwalia Gazette.

Doubt (2019)
Physical Artefact
Fahy, N. (2019). Doubt. [Laser Cut Relief Print (Printed on Fabriano Rosapina)]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of techn... Read More about Doubt.

Nothing Here But You (Print) (2019)
Physical Artefact
Fahy, N. (2020). Nothing Here But You (Print). [Lithography, Digital embroidery on waxed Japanese paper]. Woolwich Contemporary Print Fair No 1 Street, London, , United Kingdom 6-13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical... Read More about Nothing Here But You (Print).

Nothing Here But You (2019)
Physical Artefact
Fahy, N. Nothing Here But You. [Lithography, Etching, Digital embroidery on hand waxed paper]. Woolwich Contemporary Print Fair, No 1 Street, London, England 6- 13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical p... Read More about Nothing Here But You.

Light-Dark Contrast (2018)
Physical Artefact
Webb, R. Light-Dark Contrast. [Oil]. Anhui, China

In October 2018 Richard Kenton Webb was invited to the Tao Huan Painting Residency in China. On the residency he made eight paintings on a Light Dark Contrast that were exhibited at Hefei Modern Art Gallery, a public gallery in Anhui Province, China.

Read To Me (2018)
Physical Artefact
Bodman, S. (2018). Read To Me. [Artists' book]

‘Read to me’ is an experiment made by the artist in collaboration with a psychometric reader, to transmit the emotional content of selected narratives through a series of physical objects. Ten objects were selected to read chapters of novels, or shor... Read More about Read To Me.