All Outputs (106)

Anatomy of a rainbow (2022)
Physical Artefact

In collaboration with University of Utah Printmaking department, we took monoprint files from one of my latest fine art prints, called Hide and Seek. The files were scanned, digitised, shared between London and Salt Lake City, expanded, laser engrave... Read More about Anatomy of a rainbow.

Highly scalable, sensitive and ultraflexible graphene‐based wearable e‐textiles sensor for bio‐signal detection (2022)
Journal Article

Abstract: Graphene‐based wearable electronic textiles (e‐textiles) show promise for next‐generation personalized healthcare applications due to their non‐invasive nature. However, the poor performance, less comfort, and higher material cost limit the... Read More about Highly scalable, sensitive and ultraflexible graphene‐based wearable e‐textiles sensor for bio‐signal detection.

Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23 (2022)
Presentation / Conference Contribution

In this presentation, artist researcher Wuon-Gean Ho shares some of her recent creative outputs through the lens of time. She explains how her work bridges still and moving image through printmaking, book-making, film and animation. Some examples of... Read More about Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23.

Real-time style transfer for videos to enhance the realism of simulation of laparoscopic surgeries (2022)
Presentation / Conference Contribution

Surgical simulation has repeatedly proven its potential, but is limited by the lack of realism to the surgical experience. For laparoscopic surgery simulation, an image processing method known as style transfer can improve the realism by transferring... Read More about Real-time style transfer for videos to enhance the realism of simulation of laparoscopic surgeries.

Kolekcja Mini Print Cantabria W Lublinie (2022)
Exhibition / Performance

Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte (2022)
Presentation / Conference Contribution

Wuon-Gean Ho reflects on how she made the transition from studying as a veterinarian in Cambridge University to a career as an artist researcher working at the Centre for Print Research, UWE Bristol. She touched upon some of the residencies she has e... Read More about Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte.

Right here, right Now, stories from these times (2022)
Exhibition / Performance

In 2016 I was invited to be a fellow at the Royal Academy Schools in London, renowned as the world’s oldest art school, with a tiny cohort of students who bond over fantastic lunches and a sense of tight companionship. It was there that I started thi... Read More about Right here, right Now, stories from these times.

Women Artists in Wales 2022 (2022)
Digital Artefact

Three published photographs of artist Sarah Rhys and her artwork in the chapter about her work.

Smart electronic textile‐based wearable supercapacitors (2022)
Journal Article

Electronic textiles (e-textiles) have drawn significant attention from the scientific and engineering community as lightweight and comfortable next-generation wearable devices due to their ability to interface with the human body, and continuously mo... Read More about Smart electronic textile‐based wearable supercapacitors.

Excellence in book art exhibition (2022)
Exhibition / Performance

Showcasing the wonder of book arts, from unique hand-made books to book sculptures selected book artists from the region and beyond.

SELECTED ARTISTS

Sarah Bodman, Louisa Boyd, Melanie Bush, Larissa Cox, Lizanne van Essen, Sarah Grace-Dye, Paul... Read More about Excellence in book art exhibition.

Trinity Buoy Wharf Drawing Prize (2022)
Exhibition / Performance

Nothing besides Remains I and II were selected for the international Trinity Buoy Wharf Drawing Prize.
"The Trinity Buoy Wharf Drawing Prize was founded in 1994 and is celebrating the 26th consecutive annual exhibition in 2021. The exhibition and aw... Read More about Trinity Buoy Wharf Drawing Prize.

Mechanical and thermal properties of Graphene nanoplatelets-reinforced recycled polycarbonate composites (2022)
Journal Article

Nanocomposites have received significant interest in recent years, as they offer improved properties compared to conventional materials for various applications. Among many available nanofillers, graphene nanoplatelets (GNP) have shown promising resu... Read More about Mechanical and thermal properties of Graphene nanoplatelets-reinforced recycled polycarbonate composites.

The Big Print (2022)
Exhibition / Performance

The BigPrint workshop is a communal event. We have invited printmakers, friends and family, students and the rest of the work to cut lino plates. There is no brief what should be on the plates. Everyone is free to choose a topic and a style. On the d... Read More about The Big Print.

Supporting women with learning disabilities in infant feeding decisions: UK health care professionals' experiences (2022)
Journal Article

Women with learning disabilities are less likely to breastfeed than other women. They may find it hard to understand or learn feeding techniques or know that they have infant feeding choices. This population may be supported during their pregnancies... Read More about Supporting women with learning disabilities in infant feeding decisions: UK health care professionals' experiences.

The synthetic landscape (2022)
Presentation / Conference Contribution

Under the title of ‘The Synthetic Landscape’ I will be presenting and discussing my ongoing practice and related conceptual themes.

My work focuses on the use architectural metaphors to investigate ideas around Isolation and boundaries.
I will... Read More about The synthetic landscape.

Beyond DPP1-De/Re-constructing the wet-plate collodion process (2022)
Exhibition / Performance

In 2020, the CFPR, in conjunction with the Royal Photographic Society, made a call for papers for a conference, workshops and an exhibition with the title: ‘Don’t’ Press Print-De-constructing and re-construction the wet-plate collodion process’.

M... Read More about Beyond DPP1-De/Re-constructing the wet-plate collodion process.

Catching the light (2022)
Exhibition / Performance

Every image catches the light. Light is what we see. It is an energy which only forms an image in our heads when it interacts with our environment and is translated in our brains into a fantasy of the
world. How do we catch such an elusive entity?... Read More about Catching the light.

I am just passing through (2022)
Exhibition / Performance

Covid has reminded everyone that our lives are finite. It made me reflect on what I will leave behind. I want to be remembered. I want to leave visible traces which are typically for me, even though I am just passing through. Lockdown made me return... Read More about I am just passing through.

Sustainable fiber‐reinforced composites: A review (2022)
Journal Article

Sustainable fiber reinforced polymer (FRP) composites from renewable and biodegradable fibrous materials and polymer matrices are of great interest, as they can potentially reduce environmental impacts. However, the overall properties of such composi... Read More about Sustainable fiber‐reinforced composites: A review.

Edge of infinity (2022)
Exhibition / Performance

Edge of Infinity
A portfolio of original prints curated by
Wuon-Gean Ho for the IMPACT 12 conference,
Centre for Print Research, Bristol, UK. 2022

Participating Artists

Becoming by Stephen Roy Black
Polymer intaglio etching 175 mm x 275 m... Read More about Edge of infinity.