All Outputs (87)

Hungry Cat Café (2020)
Other

The image, Hungry Cat Café, is a print which was used to illustrate an article on Miranda Metcalfe, host of the printmaking podcast Pine | Copper | Lime (now known as Hello, Print Friend) which features international printmakers. I was the first pr... Read More about Hungry Cat Café.

Should we have stayed at home and thought of here? (2020)
Exhibition / Performance

A collaboration with 98 national and international artists responding to texts by Elizabeth Bishop, Nancy Campbell, W. G. Sebald & Olga Tokarczuk. Bower Ashton Library, UWE Bristol, UK online exhibition and mail art exchange. Coordinated in collabora... Read More about Should we have stayed at home and thought of here?.

Colour Without Colour (2020)
Presentation / Conference Contribution

Highly conductive, scalable, and machine washable graphene-based e-textiles for multifunctional wearable electronic applications (2020)
Journal Article

Graphene‐based textiles show promise for next‐generation wearable electronic applications due to their advantages over metal‐based technologies. However, current reduced graphene oxide (rGO)‐based electronic textiles (e‐textiles) suffer from poor ele... Read More about Highly conductive, scalable, and machine washable graphene-based e-textiles for multifunctional wearable electronic applications.

Woodburytype: A historical process resurrected by modern methods (2020)
Journal Article

One of the technological achievements of the 19th century was the mass reproduction of photographic images. Woodburytype was the first commercially successful photomechanical continuous tone printing method, of unsurpassed quality until today. Along... Read More about Woodburytype: A historical process resurrected by modern methods.

Welcome To Issue One (2020)
Journal Article

Welcome editorial to the IMPACT Printmaking Journal, a new online open access peer reviewed academic journal created by me at the Centre for Fine Print Research over the past 7 months,

Welcome to Issue one of the IMPACT Printmaking Journal (2020)
Journal Article

Introduction to the online open access peer reviewed academic journal called IMPACT Printmaking Journal which has been created and edited for Centre for Fine Print Research, University of the West of England: description of peer review process and su... Read More about Welcome to Issue one of the IMPACT Printmaking Journal.

Spatial traces and skeletal projections (2020)
Journal Article

The article discusses how sketching is utilised as a durational state within my practice and as a means to cultivate the creative potential that is afforded by the rough draft. The proceeding development of the sketch is also considered in relation t... Read More about Spatial traces and skeletal projections.

Innovative technologies for sustainable textile coloration, patterning, and surface effects (2020)
Book Chapter

The environmental impact of textile dyeing and finishing is of paramount concern in the textile industry. Enzyme and laser processing technologies present attractive alternatives to conventional textile coloration and surface patterning methods. Both... Read More about Innovative technologies for sustainable textile coloration, patterning, and surface effects.

Immediately Intimate (2020)
Journal Article

This article will an interdisciplinary printmaking practice focusing on the development of a series of work through interweaving processes and materials. Discussing the notion of transformation through the intimate and complex relationship between m... Read More about Immediately Intimate.

Under pressure: An exhibition of printmaking by staff at the University of the West of England, Bristol. (2020)
Exhibition / Performance

According to The New Oxford Shorter English Dictionary print is ‘an
impressed mark or image’. Print cannot exist without pressure. Letter
press, the cradle of modern printing, even has the word press, pressure
in it. Whether it is an ink jet dropl... Read More about Under pressure: An exhibition of printmaking by staff at the University of the West of England, Bristol..

Continuous Tone Printing from Gel Matrices - The Woodburytype (2020)
Presentation / Conference Contribution

Prevailing print techniques such as inkjet rely on halftoning, a process whereby image tone is approximated by a matrix of droplets varying in density. This, while useful in many applications, ensures a direct link between the resolution and the drop... Read More about Continuous Tone Printing from Gel Matrices - The Woodburytype.

Graphic Design School: A Foundation Course for Graphic Designers Working in Print, Moving Image and Digital Media (2020)
Book

Graphic Design School is organised into two main sections, ‘principles’ and ‘practice’. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section... Read More about Graphic Design School: A Foundation Course for Graphic Designers Working in Print, Moving Image and Digital Media.

MRE2020: Transforming ideas through utilising novel materials, and an insight into the problem-solving process applied. (2020)
Presentation / Conference Contribution

Material Research Exchange 2020
http://www.materialsresearchexchange.co.uk/

Materials Research Exchange (MRE20) is a two-day exhibition and conference which showcases the wealth of UK materials research and investment opportunities.

With the... Read More about MRE2020: Transforming ideas through utilising novel materials, and an insight into the problem-solving process applied..

Smart Tooling for Ceramic Extrusion (2020)
Presentation / Conference Contribution

This presentation will outline research into ceramic profile extrusion. The research was initiated as creative explorations within the author's own craft practice. However, the project has since developed into a UKRI funded project, with global compa... Read More about Smart Tooling for Ceramic Extrusion.

Learning from Lissitsky: Illustration and the new objectivity (2020)
Presentation / Conference Contribution

El Lissitzky believed the artist could be an agent for change. The Russian avant-garde artist declared a break with traditional modes of representation, and embracing geometric abstraction aiming to revolutionize artistic practice. The Creator of ‘Be... Read More about Learning from Lissitsky: Illustration and the new objectivity.

Jewellery ± Scent x Science = Alchemy? (2020)
Presentation / Conference Contribution

Contemporary jewellers are considered artists of the miniature sentiment and crafters of the wearable statement. Outside the realm of status and commodity, jewellery can be used to visualise the intangible and conceptual, creating objects and adornme... Read More about Jewellery ± Scent x Science = Alchemy?.

Basics Graphic Design 02: Design Research: Investigation for successful creative solutions (2020)
Book

Design Research shows readers how to choose the best method of research in order to save time and get the right results.The book makes readers aware of all the different research methods, as well as how to carry out the most appropriate research for... Read More about Basics Graphic Design 02: Design Research: Investigation for successful creative solutions.

Lire entre les couvertures: petite exploration des liens qui unissent artistes, livres et bibliothèques (2020)
Presentation / Conference Contribution

The field of artists' books has grown exponentially over the last 30 years. The range of subject matter and context held within it includes that of many practitioners and curators who use the artist's book as a means of exploring our relationship wit... Read More about Lire entre les couvertures: petite exploration des liens qui unissent artistes, livres et bibliothèques.

Rene Carcan Internation Prize for Printmaking (2020)
Exhibition / Performance

Biennial International Print show, in Brussels, Belgium.