All Outputs (6)

Future of manual printmaking in the UK (2010)
Presentation / Conference Contribution

Invited speaker ‘Future of Manual Printmaking in the UK’, Symposium, Curwen Print Study Centre, Cambridge, October 2010.

A timeline of developments in printing culture from 1850 to the digital age (2010)
Presentation / Conference Contribution

Invited speaker at the Annual Conference of the Association of European Printing Museums (AEPM) held 3-5 September 2010 in Wadgassen, Germany. The conference addressed the question "Collection of today - Towards a critical evaluation of your collect... Read More about A timeline of developments in printing culture from 1850 to the digital age.

The margins of art practice bordering on industrial development (2010)
Book Chapter

A conference paper challenging the popular view of artists, spread by the media over many years is of aesthetes with no commercial acumen and a distinct lack of time management. Examples of this go as far back as 1962 with Tony Hancock in the film th... Read More about The margins of art practice bordering on industrial development.

Unique reproduction: definitions of original printmaking in a digital age (2010)
Presentation / Conference Contribution

The development of inkjet printers with light fast inks has made reproducing artists' images more ‘democratic’ – no advanced technical skill is required to transfer ink onto paper. These reproductions can be marketed as limited edition prints and in... Read More about Unique reproduction: definitions of original printmaking in a digital age.

The collaborative print studio within a Higher Educational Institution and its relationship to the art marketplace (2010)
Presentation / Conference Contribution

The British Pop-artist Richard Hamilton has described the benefits of working collaboratively with printers: “Gaining the wide range of technical skills required in many different print media would be absurdly time-consuming, if not impossible. My ha... Read More about The collaborative print studio within a Higher Educational Institution and its relationship to the art marketplace.

Celebrating Paper (2010)
Physical Artefact

9 works by Hoskins included in group exhibition curated by Peter Ford, RWA at the Royal West of England Academy, Bristol, 17 January - 21 February 2010. Sculpture, screens and wall-hung works included in this unusual exhibition of artwork in handmade... Read More about Celebrating Paper.