Ian Chamberlain Ian.Chamberlain@uwe.ac.uk
Senior Lecturer
The article looks at my own practice and how I have taken inspiration from traditional process such as etching and the practitioners Rembrandt and Piranesi. These references have then been reinterpreted within a contemporary context using my subject matter of obsolete/defunct man made technologies as the metaphor.
Journal Article Type | Article |
---|---|
Acceptance Date | Mar 17, 2017 |
Publication Date | May 1, 2017 |
Deposit Date | Mar 27, 2017 |
Publicly Available Date | May 2, 2017 |
Journal | The California Printmaker Journal |
Peer Reviewed | Not Peer Reviewed |
Pages | 8-11 |
Keywords | etching , printmaking, drawing, process, materiality, context |
Public URL | https://uwe-repository.worktribe.com/output/888269 |
Publisher URL | http://www.caprintmakers.org/category/publications/current-journal/ |
Contract Date | Mar 27, 2017 |
Articlefinalproof.pdf
(184 Kb)
PDF
2015 national original print, Bankside Gallery, London, UK
(-0001)
Digital Artefact
Transmission
(-0001)
Digital Artefact
Mirror I and Mirror II
(-0001)
Digital Artefact
Robotic etching: The creation of digital etching using robotics
(2019)
Presentation / Conference Contribution
Echoes from the past - Impact international print conference
(2018)
Presentation / Conference Contribution
About UWE Bristol Research Repository
Administrator e-mail: repository@uwe.ac.uk
This application uses the following open-source libraries:
Apache License Version 2.0 (http://www.apache.org/licenses/)
Apache License Version 2.0 (http://www.apache.org/licenses/)
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search