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Thoughts on interactive generative music composition

Hunt, Samuel; Mitchell, Tom; Nash, Chris

Authors

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Samuel Hunt Samuel.Hunt@uwe.ac.uk
Lecturer - Graduate Tutor

Tom Mitchell Tom.Mitchell@uwe.ac.uk
Professor of Audio and Music Interaction

Chris Nash Chris.Nash@uwe.ac.uk
Senior Lecturer in Music Tech - Software Development



Abstract

The ability for machines to compose novel, interesting and human-esque music is an important and recurring theme in the history of computer music. Modern staff notation remains the most common tool for music composition, and despite the emergence and abundance of highly flexible computer-based score editors, efforts to incorporate generative music techniques into such systems and subsequent composer workflow are seldom explored. This paper explores and develops both theoretical and practical models that address these concerns, and present these in the context of a software prototype. The paper is constructed as a work in progress, detailing the work so far and how future research will be conducted.

Presentation Conference Type Conference Paper (unpublished)
Conference Name 2nd Conference on Computer Simulation of Musical Creativity
Start Date Sep 11, 2017
End Date Sep 13, 2017
Acceptance Date Sep 12, 2017
Publication Date Sep 12, 2017
Deposit Date Nov 10, 2017
Peer Reviewed Peer Reviewed
Keywords interactive music systems, generative music, score editors
Public URL https://uwe-repository.worktribe.com/output/881299
Additional Information Title of Conference or Conference Proceedings : 2nd Conference on Computer Simulation of Musical Creativity
Contract Date Nov 10, 2017