Mark Bould Mark.Bould@uwe.ac.uk
Associate Professor in Film and Literature
Slipstream cinema: Dick without the Dick
Bould, Mark
Authors
Contributors
Stefan Schlensag
Editor
Alexander Dunst
Editor
Abstract
This essay proposes a slipstream cinema along the lines of slipstream fiction proposed by Bruce Sterling - and suggests that it is where we might find the cinematic legacy of Philip K Dick, rather than in the typically disappointing adaptations of his work. It then considers two superhero movies - Special (2006) and Dai-Nihonjin/Big Man Japan (2007) as potential examples of a Dickian slipstream cinema.
Citation
Bould, M. (2015). Slipstream cinema: Dick without the Dick. In S. Schlensag, & A. Dunst (Eds.), The World According to Philip K. Dick, 119-136. Palgrave Macmillan
Acceptance Date | Apr 25, 2014 |
---|---|
Publication Date | Apr 6, 2015 |
Peer Reviewed | Peer Reviewed |
Pages | 119-136 |
Book Title | The World According to Philip K. Dick |
ISBN | 9781137414588 |
Keywords | Philip K Dick, slipstream, sf, superhero, adaptation, Special, Big Man Japan, film |
Publisher URL | http://www.palgrave.com/gb/book/9781137414588 |
You might also like
From world sf (via, if we must, World Sf) to world-sf: An introduction
(2017)
Journal Article
Afrocyberpunk cinema: The postcolony finds its own use for things
(2017)
Book Chapter
Dulltopia
(2017)
Journal Article