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The epistemological foundations of music piracy in the digital marketplace

Kepple-Palmer, Marcus; Carruthers, Janet; Davies, Clayton; Parry, Glenn; Keppel-Palmer, Marcus

Authors

Marcus Kepple-Palmer

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Clayton Davies Clayton.Davies@uwe.ac.uk
Senior Lecturer in Strategy & Enterprise Mgmt



Abstract

This paper examines the fundamental epistemological gap between the consumers and producers of digitally based products. Using the music industry and the significance of digital products in this arena as a case study of evolving relationships between buyers and sellers, we evaluate the nature of 'piracy' from multiple perspectives: creators, intermediaries, distributors, and end consumers. Our study centres on the epistemological boundaries of these agents and actors, using existing evidence and qualitative research to examine the nature and limits of the epistemological reach of agents and actors in this digital marketplace. Our theoretical model is an adapted and applied version of Domain-Generality and Domain-Specificity in Personal Epistemology. We find a series of epistemological dissonances, driven by differing levels of understanding about (and access to) the underlying technological, legal, and social structures of an evolving marketplace. As a result of instability, these structures inevitably create various epistemological boundaries. Using the developed analytical framework, the case study of music piracy illustrates how identifying epistemological dissonance helps sellers develop strategies that could minimize the impact of piracy on their revenue streams.

Citation

Carruthers, J., Davies, C., Parry, G., & Keppel-Palmer, M. (2014). The epistemological foundations of music piracy in the digital marketplace. https://doi.org/10.17323/1995-459x.2015.4.42.53

Journal Article Type Article
Acceptance Date Jan 10, 2014
Publication Date Jan 1, 2014
Journal Foresight and STI Governance
Print ISSN 2500-2597
Peer Reviewed Peer Reviewed
Volume 9
Issue 4
Pages 42-53
DOI https://doi.org/10.17323/1995-459x.2015.4.42.53
Keywords music piracy, digital marketplace, personal epistemology, domain-generality, domain-specifity, epistemological gap, congruous beliefs, incongruous beliefs
Public URL https://uwe-repository.worktribe.com/output/823538
Publisher URL https://foresight-journal.hse.ru/data/2015/12/23/1132792788/4-Piracy-42-53.pdf
Related Public URLs http://foresight-journal.hse.ru/data/2015/12/23/1132792788/4-Piracy-42-53.pdf

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