Mark Bould Mark.Bould@uwe.ac.uk
Professor of Film and Literature
Film
Bould, Mark
Authors
Contributors
Rob Latham
Editor
Abstract
A critical overview of critical-theoretical understandings of sf film, especially those promulgated by critics devoted to sf as a prose fiction form. It also considers adaptation, spectacle and special effects.
Publication Date | Oct 23, 2014 |
---|---|
Publicly Available Date | Jun 6, 2019 |
Peer Reviewed | Peer Reviewed |
Book Title | The Oxford Handbook of Science Fiction |
ISBN | 9780199838844 |
Keywords | sf, generic hybridity, adaptation igureul jikyeora!, Save the Green Planet!, Fahrenheit 451, Resident Evil: Extinction, I Robot, Isaac Asimov, Alex Proyas, Ray Bradbury, Francois Truffaut, spectacle, special effects, cognitive estrangement, Paul W.S. Ande |
Public URL | https://uwe-repository.worktribe.com/output/810223 |
Publisher URL | https://global.oup.com/academic/product/the-oxford-handbook-of-science-fiction-9780199838844?q=Keyword,%20Author,%20ISBN,%20The%20Oxford%20Handbook%20of%20Science%20FictionTitle&lang=en&cc=gb |
Additional Information | Additional Information : This is the submitted version of Film by Mark Bould, in The Oxford Handbook of Science Fiction edited by Rob Latham, 2014, reproduced by permission of Oxford University Press https://global.oup.com/academic/product/the-oxford-handbook-of-science-fiction-9780199838844?q=Keyword,%20Author,%20ISBN,%20The%20Oxford%20Handbook%20of%20Science%20FictionTitle&lang=en&cc=gb |
Contract Date | Sep 2, 2012 |
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