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Unpiecing the jigsaw: Compulsive heterosexuality, sex crime, class and masculinity in early 1960s British cinema

Tincknell, Estella

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Abstract

This article explores the discursive intersections of masculinity, class and heterosexual desire in the still undervalued British police procedural film, Jigsaw. It considers the film both as an example of a new style of cinematic crime narrative and as a significant conjectural text in which 'compulsory heterosexuality' and marriage, especially in their post-war and mid-century forms, are re-articulated, here as compulsive heterosexuality: a masculine drive that can ultimately lead to sexual murder. The film's low-key naturalistic style owes much to the newly realist television drama of the period, while its identification of middle-class masculinity as the locus of transgression carries cultural resonances well beyond the ostensible project of the film's narrative. Released in 1962, Jigsaw was in effect squeezed between, on the one hand, the British New Wave and, on the other, the pop musicals and London-focused films that dominated cinema in the UK in the mid-1960s. However, the casting of dependable Jack Warner as the investigating detective and its Brighton setting mark it out as an important text situated on the cusp between older versions of the crime film and the new permissiveness. Jigsaw's interrogation of the problematic sexual behaviour of two ostensibly middle-class, middle-aged men is therefore particularly interesting, especially when placed within the context of the cultural anxieties about marriage, the increasingly fluid class system of the early 1960s and an emergent youth culture.

Citation

Tincknell, E. (2021). Unpiecing the jigsaw: Compulsive heterosexuality, sex crime, class and masculinity in early 1960s British cinema. Journal of British Cinema and Television, 18(2), 131-151. https://doi.org/10.3366/jbctv.2021.0563

Journal Article Type Article
Acceptance Date Aug 20, 2020
Online Publication Date Mar 1, 2021
Publication Date 2021
Deposit Date May 20, 2021
Publicly Available Date May 21, 2021
Journal Journal of British Cinema and Television
Print ISSN 1743-4521
Electronic ISSN 1755-1714
Publisher Edinburgh University Press
Peer Reviewed Peer Reviewed
Volume 18
Issue 2
Pages 131-151
DOI https://doi.org/10.3366/jbctv.2021.0563
Keywords Brighton, compulsory heterosexuality, Jigsaw, masculinity, sex murder, Val Guest, Warner
Public URL https://uwe-repository.worktribe.com/output/7411295

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This article has been accepted for publication by Edinburgh University Press in the Journal of British Cinema and Television. The full published article can be accessed here: https://doi.org/10.3366/jbctv.2021.0563


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Licence
http://www.rioxx.net/licenses/all-rights-reserved

Publisher Licence URL
http://www.rioxx.net/licenses/all-rights-reserved

Copyright Statement
This article has been accepted for publication by Edinburgh University Press in the Journal of British Cinema and Television. The full published article can be accessed here: https://doi.org/10.3366/jbctv.2021.0563




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