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Syncretic youth: The phantom legacy of Hebdige’s subculture—The meaning of style

Hyder, Rehan

Authors



Contributors

Keith Gildart
Editor

Anna Gough-Yates
Editor

Sian Lincoln
Editor

Bill Osgerby
Editor

Lucy Robinson
Editor

John Street
Editor

Matthew Worley
Editor

Abstract

The publication of Dick Hebdige’s Subculture: The Meaning of Style in 1979 marks the end of a decade of writings on the creative potential and symbolically resistive youth subcultures. Although it underpinned many of the central ideas originally developed at the Centre for Contemporary Cultural Studies in Birmingham, it also marked a break with the tradition in its shifting the emphasis away from an exclusive focus on class. The foregrounding of notions of race and ethnicity in shaping post World War Two youth culture in the UK opened up the analysis of subculture to reflect the increasingly central impact of cultural exchange and syncretism in the contemporary urban context. Despite criticisms aimed at the supposedly ‘narrow’ nature of Hebdige’s discussion of race in terms of black ‘influence’ on white cultural forms, the focus on inter ethnic exchange in the spectacular displays and performances of youthful subcultures that he identified helped to shape subsequent debates around ideas of racial hybridity and the syncretic.

Online Publication Date Apr 23, 2020
Publication Date Apr 23, 2020
Deposit Date Dec 1, 2020
Publisher Palgrave Macmillan
Pages 113-131
Series Title Palgrave Studies in the History of Subcultures and Popular Music
Book Title Hebdige and Subculture in the Twenty-First Century
Chapter Number 7
ISBN 9783030284749
DOI https://doi.org/10.1007/978-3-030-28475-6_7
Keywords Cultural history, Dick Hebdige, Social history, Popular music, Twentieth century
Public URL https://uwe-repository.worktribe.com/output/6855523
Additional Information First Online: 23 April 2020
Contract Date Jan 1, 2020