Dr Dominic Lees Dominic.Lees@uwe.ac.uk
AHOD in Filmaking
‘Modes of Creative Practice’ in fiction filmmaking: towards a new Theory of Film Practice
Lees, Dominic
Authors
Abstract
In this paper, I present the concept of the ‘Modes of Creative Practice’, a theoretical construct that provides us with a new form of taxonomy of film. I will explain how the practice research conducted through the making of The Burning illustrates a specific ‘Mode’, a category of ‘design-centred’ creative practice, showing how historical film production may be aligned within this mode.
Citation
Lees, D. (2019, December). ‘Modes of Creative Practice’ in fiction filmmaking: towards a new Theory of Film Practice. Paper presented at Sightlines: Screen Production and the Academy, RMIT Melbourne, Australia
Presentation Conference Type | Conference Paper (unpublished) |
---|---|
Conference Name | Sightlines: Screen Production and the Academy |
Conference Location | RMIT Melbourne, Australia |
Start Date | Dec 2, 2019 |
End Date | Dec 4, 2019 |
Deposit Date | Apr 24, 2020 |
Publicly Available Date | Apr 30, 2020 |
Keywords | Film practice; practice research; film theory; historical film |
Public URL | https://uwe-repository.worktribe.com/output/5932650 |
Additional Information | This paper was presented following a screening of my practice research short film, The Burning (https://uwe.worktribe.com/record.jx?recordid=4707860). |
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? Modes Of Creative Practice ?? In Fiction Filmmaking- Towards A New Theory Of Film Practice Paper For Sightlines Conference 03122019
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The Burning
(2019)
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