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Studio for electronic theatre - Jumping into the abyss of technology

Salihbegovic, Fahrudin

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Authors

Fahrudin Salihbegovic



Abstract

This article discusses the compatibility of live theatre and projected media from a practitioner-based perspective. It tackles Arnold Aronson's conception that projected imagery such as video or film cannot have a successful or legitimate place within the setting of live performance. Drawing upon two examples of original theatrical works, I aim to demonstrate that theatre art, in an age of proliferating multi media and digital technologies, can, using this very technology, reinvent itself, exploring, on the one hand, the aesthetic potential of this technology for both dramaturgy and scenography, and, on the other, offering unique commentary on the political, social and psychological aspects of the uses and the effects of media technology in our contemporary culture.

Citation

Salihbegovic, F. (2015). Studio for electronic theatre - Jumping into the abyss of technology. Body, Space & Technology, 14(1), https://doi.org/10.16995/bst.32

Journal Article Type Article
Acceptance Date Nov 3, 2014
Online Publication Date Jan 1, 2015
Publication Date Jan 1, 2015
Deposit Date Feb 21, 2020
Publicly Available Date Feb 21, 2020
Publisher Open Library of Humanities
Peer Reviewed Peer Reviewed
Volume 14
Issue 1
DOI https://doi.org/10.16995/bst.32
Public URL https://uwe-repository.worktribe.com/output/4704984

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