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Tragic blondes, Hollywood, and the “radical sixties’ myth: Seberg and once upon a time in Hollywood as revisionist and reparative biopic

Tincknell, Estella

Tragic blondes, Hollywood, and the “radical sixties’ myth: Seberg and once upon a time in Hollywood as revisionist and reparative biopic Thumbnail


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Abstract

In this essay I explore two recent ‘reparative biopics,’ Once Upon a Time in Hollywood (Quentin Tarantino, 2019) and Seberg (Benedict Andrews, 2019), which share features found in the resurgent cycle of 1960s-set ‘back studio’ films that have appeared in the wake of feminist criticism of mainstream Hollywood. Although positioned very differently in terms of genre (as biopic and counterfactual history respectively) and in their creative engagement with the cultural and political history of the late 1960s, both are notable for the way they deal with the real female stars at the centre of their stories, Sharon Tate and Jean Seberg. While each film seems to be seeking reparation for the past, their approach ultimately recuperates the women into a mythic discourse of the ‘radical sixties’ in which masculine agency and homosocial bonds are privileged. I argue that these films rehearse familiar biopic conventions to depict the blonde female star as tragic victim, not only of history but also of her own inherent frailty.

Citation

Tincknell, E. (2023). Tragic blondes, Hollywood, and the “radical sixties’ myth: Seberg and once upon a time in Hollywood as revisionist and reparative biopic. Celebrity Studies, 14(4), 568-583. https://doi.org/10.1080/19392397.2022.2149346

Journal Article Type Article
Acceptance Date Nov 15, 2022
Online Publication Date Nov 30, 2022
Publication Date 2023
Deposit Date Dec 13, 2022
Publicly Available Date Nov 3, 2023
Journal Celebrity Studies
Print ISSN 1939-2397
Electronic ISSN 1939-2400
Publisher Taylor & Francis (Routledge)
Peer Reviewed Peer Reviewed
Volume 14
Issue 4
Pages 568-583
DOI https://doi.org/10.1080/19392397.2022.2149346
Keywords Cultural Studies; Blonde; Back studio; Jean Seberg; Sharon Tate; Hollywood; Revisionist history
Public URL https://uwe-repository.worktribe.com/output/10231456
Publisher URL https://www.tandfonline.com/doi/full/10.1080/19392397.2022.2149346

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