Peter Webb Peter.Webb@uwe.ac.uk
Senior Lecturer in Soc & Crim
Infected by the seed of post-industrial punk bohemia: Nick Cave and the Milieu of the 1980s underground
Webb, P M
Authors
Abstract
This article uses the concepts of cultural milieu and music genre to explore the work of Nick Cave in the 1980s and later. Milieu theory is derived from the work of phenomenologists Alfred Schutz and Jorg Durschmitt. The article analyses the transgressive milieu of Cave and such collaborators as Blixa Bargeld and Lydia Lunch and considers the way in which the music genres of punk, post-punk, gothic and industrial have been implicated in Nick Cave’s recorded output.
Journal Article Type | Article |
---|---|
Acceptance Date | Jan 6, 2008 |
Publication Date | Jan 1, 2008 |
Deposit Date | Mar 2, 2018 |
Journal | Popular Music History |
Print ISSN | 1740-7133 |
Electronic ISSN | 1743-1646 |
Publisher | Equinox Publishing |
Peer Reviewed | Peer Reviewed |
Volume | 3 |
Issue | 2 |
Pages | 103-122 |
DOI | https://doi.org/10.1558/pomh.v3i2.103 |
Keywords | genre, gothic, industrial, milieu, post-punk, punk, scenes |
Public URL | https://uwe-repository.worktribe.com/output/1022683 |
Publisher URL | http://dx.doi.org/10.1558/pomh.v3i2.103 |
Related Public URLs | https://journals.equinoxpub.com/index.php/PMH/article/view/7027 |
Contract Date | Mar 2, 2018 |
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