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Spectacular tradition Scottish folksong and authenticity

Knox, Dan

Authors

Dan Knox Dan.Knox@uwe.ac.uk
Senior Lecturer in Tourism & Events Management



Abstract

This paper explores the heritage, changing nature, and re-inscription of traditional practices. It highlights the processes through which Scottish song traditions have moved from being everyday, unremarkable practice to public spectacle and tourism performance. An historically grounded analysis of contemporary folk festivals and events in Aberdeenshire demonstrates how the content of folksong has become ever more fixed at the same time as performances have been re-signified to represent the region to both locals and tourists. The paper also traces out the processes of the spectacularization of tradition and the movement of individual songs from agricultural landscapes, through field, archive, and edited collection to contemporary folk festival and public display. © 2007 Elsevier Ltd. All rights reserved.

Citation

Knox, D. (2008). Spectacular tradition Scottish folksong and authenticity. Annals of Tourism Research, 35(1), 255-273. https://doi.org/10.1016/j.annals.2007.07.008

Journal Article Type Article
Acceptance Date Jul 20, 2007
Publication Date Jan 1, 2008
Journal Annals of Tourism Research
Print ISSN 0160-7383
Publisher Elsevier Masson
Peer Reviewed Peer Reviewed
Volume 35
Issue 1
Pages 255-273
DOI https://doi.org/10.1016/j.annals.2007.07.008
Keywords folk culture, heritage, tourism, authenticity
Public URL https://uwe-repository.worktribe.com/output/1015963
Publisher URL http://dx.doi.org/10.1016/j.annals.2007.07.008