Outputs (88)

Spatial traces and skeletal projections (2020)
Journal Article
Laidler, P. (2020). Spatial traces and skeletal projections. Drawing: Research, Theory, Practice, 5(1), 117-122. https://doi.org/10.1386/drtp_00025_7

The article discusses how sketching is utilised as a durational state within my practice and as a means to cultivate the creative potential that is afforded by the rough draft. The proceeding development of the sketch is also considered in relation t... Read More about Spatial traces and skeletal projections.

Under pressure: An exhibition of printmaking by staff at the University of the West of England, Bristol. (2020)
Exhibition / Performance
Klein, S., Buxton, A., & Menger, F. Under pressure: An exhibition of printmaking by staff at the University of the West of England, Bristol. [Print]. Exhibited at Bristol. 26 March 2020 - 21 April 2020. (Unpublished)

According to The New Oxford Shorter English Dictionary print is ‘an impressed mark or image’. Print cannot exist without pressure. Letter press, the cradle of modern printing, even has the word press, pressure in it. Whether it is an ink jet dropl... Read More about Under pressure: An exhibition of printmaking by staff at the University of the West of England, Bristol..

Continuous Tone Printing from Gel Matrices - The Woodburytype (2020)
Presentation / Conference
Leech, D., Guy, W., & Klein, S. (2020, March). Continuous Tone Printing from Gel Matrices - The Woodburytype

Prevailing print techniques such as inkjet rely on halftoning, a process whereby image tone is approximated by a matrix of droplets varying in density. This, while useful in many applications, ensures a direct link between the resolution and the drop... Read More about Continuous Tone Printing from Gel Matrices - The Woodburytype.

Graphic Design School: A Foundation Course for Graphic Designers Working in Print, Moving Image and Digital Media (2020)
Book
Dabner, D., Stewart, S., & Vickress, A. (2020). Graphic Design School: A Foundation Course for Graphic Designers Working in Print, Moving Image and Digital Media. (7th). London, UK: Thames & Hudson Ltd

Graphic Design School is organised into two main sections, ‘principles’ and ‘practice’. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section... Read More about Graphic Design School: A Foundation Course for Graphic Designers Working in Print, Moving Image and Digital Media.

Smart Tooling for Ceramic Extrusion (2020)
Presentation / Conference
Jorgensen, T. (2020, February). Smart Tooling for Ceramic Extrusion. Presented at Material Research Exchange, Business Design Centre, London

This presentation will outline research into ceramic profile extrusion. The research was initiated as creative explorations within the author's own craft practice. However, the project has since developed into a UKRI funded project, with global compa... Read More about Smart Tooling for Ceramic Extrusion.

MRE2020: Transforming ideas through utilising novel materials, and an insight into the problem-solving process applied. (2020)
Presentation / Conference
Boons, S. (2020, February). MRE2020: Transforming ideas through utilising novel materials, and an insight into the problem-solving process applied. Presented at Materials Research Exchange 2020, Business Design Centre, London

Material Research Exchange 2020 http://www.materialsresearchexchange.co.uk/ Materials Research Exchange (MRE20) is a two-day exhibition and conference which showcases the wealth of UK materials research and investment opportunities. With the... Read More about MRE2020: Transforming ideas through utilising novel materials, and an insight into the problem-solving process applied..

Learning from Lissitsky: Illustration and the new objectivity (2020)
Presentation / Conference
Embury, G. (2020, February). Learning from Lissitsky: Illustration and the new objectivity. Poster presented at Illustration Research methods symposium Kingston University, Kingston University

El Lissitzky believed the artist could be an agent for change. The Russian avant-garde artist declared a break with traditional modes of representation, and embracing geometric abstraction aiming to revolutionize artistic practice. The Creator of ‘Be... Read More about Learning from Lissitsky: Illustration and the new objectivity.

Basics Graphic Design 02: Design Research: Investigation for successful creative solutions (2020)
Book
Leonard, N., & Ambrose, G. (2020). Basics Graphic Design 02: Design Research: Investigation for successful creative solutions. Bloomsbury Publishing

Design Research shows readers how to choose the best method of research in order to save time and get the right results.The book makes readers aware of all the different research methods, as well as how to carry out the most appropriate research for... Read More about Basics Graphic Design 02: Design Research: Investigation for successful creative solutions.

Jewellery ± Scent x Science = Alchemy? (2020)
Presentation / Conference
Boons, S. (2020, February). Jewellery ± Scent x Science = Alchemy?. Presented at CFPR Seminar Series, Bristol

Contemporary jewellers are considered artists of the miniature sentiment and crafters of the wearable statement. Outside the realm of status and commodity, jewellery can be used to visualise the intangible and conceptual, creating objects and adornme... Read More about Jewellery ± Scent x Science = Alchemy?.

Rene Carcan Internation Prize for Printmaking (2020)
Exhibition / Performance
Ho, W. Rene Carcan Internation Prize for Printmaking. [Printmaking]. Exhibited at Bibliotheca Wittockiana, Brussels, Belgium. 1 February 2020 - 29 February 2020. (Unpublished)

Biennial International Print show, in Brussels, Belgium.