Outputs (78)

‘Britain’s first media centre’: A history of Bristol’s Watershed cinema, 1964-1998 (2019)
Journal Article

This article examines the genesis and development of the UK’s Watershed Cinema and Digital Creativity Centre. Established in 1982, Watershed was both the first full-time multi-screen independent cinema outside London and the first to integrate exhibi... Read More about ‘Britain’s first media centre’: A history of Bristol’s Watershed cinema, 1964-1998.

The colour orange (2019)
Exhibition / Performance

One person exhibition. Paintings, sculptures, prints and world premier of "Orangeness". Original music composed by Alexandra Harwood for the series of paintings, sculptures and prints.

Ultrahigh Performance of Nanoengineered Graphene-Based Natural Jute Fiber Composites (2019)
Journal Article

© 2019 American Chemical Society. Natural fibers composites are considered as a sustainable alternative to synthetic composites due to their environmental and economic benefits. However, they suffer from poor mechanical and interfacial properties due... Read More about Ultrahigh Performance of Nanoengineered Graphene-Based Natural Jute Fiber Composites.

Repair Acts (2019)
Presentation / Conference Contribution

Join Teresa Dillon (Professor of City Futures/Bristol) and Amanortey Kisseih (Accra/Vienna) for a conversation on how artists are producing 'urgent eco-critical stories' that reimagine repair and its associated cultures. Positioned within debates on... Read More about Repair Acts.

Threnody (2019)
Exhibition / Performance

An online exhibition of Hayes’s photographic works made on location in Albion Quarry, Isle of Portland, UK.

RTI for RGB: Photographing mica based inks on black paper using reflectance transform imaging (2019)
Presentation / Conference Contribution

Over the last century printers rely on the combination of halftones and subtractive CMYK ink primaries to translate an image on screen into a colour print on paper. This is certainly commercially expedient for many industrial applications. However, t... Read More about RTI for RGB: Photographing mica based inks on black paper using reflectance transform imaging.

Always Arriving (2019)
Physical Artefact

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of te... Read More about Always Arriving.

From nursing Virgins to brelfies: The project of maternal femininity (2019)
Journal Article

Contemporary debates about breastfeeding are saturated with ideas about what constitutes ‘good’ and ‘bad’ mothering, ‘achieved’ or ‘failed’ femininity frequently derived from Christian representations of the Virgin Mother. In this article we trace de... Read More about From nursing Virgins to brelfies: The project of maternal femininity.

Gwalia Gazette (2019)
Physical Artefact

A collaboration with 47 national and international artists for World Book Night 2019. Coordinated by Linda Parr. In collections: Tate Britain, London, UK; UWE Bristol Special Collections, Bower Ashton Library, Bristol, UK; Biblioteca Universitária UF... Read More about Gwalia Gazette.

And now for something completely different: Woodburytype (2019)
Presentation / Conference Contribution

Woodburytype, invented by Walter B. Woodbury and patented in 1863, was the first commercially successful mechanical printing process for the permanent reproduction of photographic quality pictures and today is still unsurpassed in producing continuou... Read More about And now for something completely different: Woodburytype.