Outputs (72)

Tate Summary: Lygia Clark, 'Creature-Maquette (320)' (1964) (2015)
Digital Artefact

Tate Summary: Patrick Caulfield, 'Les Demoiselles d'Avignon vues de derrière' (1999) (2015)
Digital Artefact

Feral trade: Taking back markets for people and the planet (2015)
Journal Article

Journal article

Tate Summary: Michel Andreenko, 'Constructivist Space' (1922) (2015)
Digital Artefact

Tate Summary: Matthew Monahan, 'Untitled' (2005) (2015)
Digital Artefact

3D printed glass investment casting moulds (2015)
Presentation / Conference Contribution

Keynote at Material Matters 3D Printing Forum Conference, Emily Carr University of Art and Design, Vancouver, Canada.

'The general public don’t need to know who we are. We’re building a profile for the industry as a whole’: Inward engagement in the UK film and television industries (2015)
Presentation / Conference Contribution

The paper stems from research undertaken as part of SiFTI (Success in the Film and Television Industries), a research project analysing the production cultures of several small-to-medium sized critically and commercially successful film and televisio... Read More about 'The general public don’t need to know who we are. We’re building a profile for the industry as a whole’: Inward engagement in the UK film and television industries.

Back from The Front (2015)
Digital Artefact

3 etchings selected for Exhibition and Catalogue, Pages 68-71

Exhibition at the Royal West of England Academy, Bristol July 2014
Editor Paul Gough, Back From The Front, Bristol RWA
Published on Mar 18, 2015

Tate Summary: Callum Innes, 'Exposed Painting Paynes Grey/Yellow Oxide/Red Oxide on White' (1999) (2015)
Digital Artefact

Yellow - The LARQ Residency (2015)
Physical Artefact

Richard Webb was the ninth invited Artist in Residence at LARQ, Queenstown, Tasmania for two months between March and May 2014. Whilst in Tasmania, he responded to the colour yellow which is mined in the local Queenstown mine.