Outputs (23)

9th International Book Art Festival: Correspondence (2012)
Exhibition / Performance

Sarah Bodman was the invited curator of British artists. The exhibition toured 2012-2014: Plocka Galeria, Plock, Galeria Miejska, Tarnow, Ksiaznica Pomorska, Szczecin, Biblioteka Miejska, Lublin, Galeria Dwor Karwacjanow, Gorlice, Szklany Dom, Cen... Read More about 9th International Book Art Festival: Correspondence.

Contemporary artists and the art of the book (2012)
Presentation / Conference Contribution

Sarah Bodman has been invited to give the lecture Contemporary Artists and the Art of the Book as part of the 2012 University of Bristol Art Lectures. This series of lecutres looks at the art of the book, from the physical beauty that books can conv... Read More about Contemporary artists and the art of the book.

From physical to digital: What do artists do with books? (2012)
Presentation / Conference Contribution

Sarah Bodman was invited to give the lecture 'From Physical to Digital - What Do Artists Do with Books?' at the University of Minnesota. Artists’ books have been around for centuries, but as digital technology has advanced so quickly recently, so hav... Read More about From physical to digital: What do artists do with books?.

Sense of place in artist books (2012)
Presentation / Conference Contribution

A Site & Incitement Symposium panel discussion on Sense of Place in Artist Books, with Sarah Bodman, a Research Fellow for Artists Books, and Masters Program Leader for Multidisciplinary Printmaking, at Centre for Fine Print Research, University of t... Read More about Sense of place in artist books.

Publicar e ser danado: Como ser um editor institucional underground (2012)
Journal Article

2011 was a year of celebration for our reference publications at the Centre for Fine Print Research, which was the 10th anniversary of the Artist's Book Yearbook and the 5th anniversary of The Blue Notebook. Paul Silveira invited Sarah Bodman to writ... Read More about Publicar e ser danado: Como ser um editor institucional underground.

Imaginary shadows: Fictional documentary photography in artists’ books (2012)
Book Chapter

Invited chapter in 'Photography and The Artist’s Book'.

There is a renewed interest in the relationship of photography and the artist's book, both as a work of art and as an alternative means of exhibition and dissemination. There is also a notab... Read More about Imaginary shadows: Fictional documentary photography in artists’ books.

Codex Event 8 (2012)
Exhibition / Performance

An Australian and British collaborative research project into pulp-printing, installation and artists’ books between Sarah Bodman, Paul Laidler, Tim Mosely, Monica Oppen and Tom Sowden.

Codex Event 8 tackled the ‘urban jungle’, its physical mass... Read More about Codex Event 8.

New Pages: Celebrating the book as a democratic multiple in a variety of 21st century forms (2012)
Presentation / Conference Contribution

A showcase of how artists are exploring and utilising the tools available to create books for e-readers through epub, hypertext and publish-on-demand (POD), and how small publishers are embracing the potential of small scale publishing of affordable,... Read More about New Pages: Celebrating the book as a democratic multiple in a variety of 21st century forms.

‘How Do I Love Thee?’ and ‘Fehling's Solution’ (2012)
Book Chapter

Two artists’ books by Bodman: ‘How Do I Love Thee?’ and ‘Fehling's Solution’ have been selected by Sandra Salamony with co-curators Peter and Donna Thomas (USA) to be included in ‘1000 Artists’ Books: Exploring The Book As Art'.

The book is a time... Read More about ‘How Do I Love Thee?’ and ‘Fehling's Solution’.

Un Manifesto para o Livro (A Manifesto for the Book) (2012)
Journal Article

A Manifesto for the Book was first published as a free online download as part of the findings from a two-year AHRC funded research project on the future of the artist’s book in the digital age(http://www.bookarts.uwe.ac.uk/canon.htm).

The manife... Read More about Un Manifesto para o Livro (A Manifesto for the Book).