Outputs (456)

Tourist trade trash, and other still performances (2011)
Journal Article

Associated with proper performance only by the undiscerning spectator, living statues are perhaps the lowest form of theatre. Literally on the street, they are a trashy by-product of a higher art, popular with tourists and those with time and money t... Read More about Tourist trade trash, and other still performances.

Memes of propaganda: Birth of the citizen propagandist (2011)
Presentation / Conference Contribution

A discussion of internet memes as a propaganda tool and the implications for democratic discourse.

The Biting Point (2011)
Exhibition / Performance

Drama for Stage

Sleep (2010)
Exhibition / Performance

A clip from an original 20 minute video installation, created from a study of sleep and everyday movement.
Funded by Picture This, Bristol Exhibited at the Laban Centre, London.

Original music by Daniel Berridge

https://vimeo.com/106274583

The forbidden room: Gender and adaptation in bluebeard (2010)
Presentation / Conference Contribution

Celebrating women’s writing (2010)
Presentation / Conference Contribution

Brides of Frankenstein: From text to flesh (2010)
Presentation / Conference Contribution

Red (2009)
Exhibition / Performance

Made through a Picture This 'Small Wonders' scheme and funded by Portland Green Productions (http://www.portlandgreen.com/) http://www.picture-this.org.uk/worksprojects/artists/c/sarah-cunliffe
Developed in response to the Powell and Pressburger fi... Read More about Red.

Laura (2008)
Exhibition / Performance

Performed by dancers Catherine Lee, Denise Rowe, Laura Street and Emma Wyke, Laura refers to the main character in the classic 1945 film Brief Encounter. The movements of the dancers draw on the gestures and physical tics of the character in the film... Read More about Laura.

‘WE ARE NOT DANCERS (OBVIOUSLY)’ Sarah Cunliffe on Wood and Harrison’s undancerly video choreographies (2008)
Journal Article

Video artists John Wood and Paul Harrison have been collaborating since 1993 and, as Claire Doherty suggests, they draw on their fine art backgrounds to create formal compositions involving their bodies, objects and their relationships with space and... Read More about ‘WE ARE NOT DANCERS (OBVIOUSLY)’ Sarah Cunliffe on Wood and Harrison’s undancerly video choreographies.