All Outputs (4)

Writing Joyishly (2024)
Presentation / Conference Contribution

Workshop for the Association for Art History Conference 2024 University of Bristol, 3-5 April 2024 Session Convenors: Rebecca Bell, UWE Bristol; Clare Johnson, UWE Bristol; Rachael Miles, UWE Bristol; Jenny Rintoul, UWE Bristol; Joanne Lee, Sheff... Read More about Writing Joyishly.

The radical potential in becoming: Disembodied breasts and maternal femininity (2022)
Presentation / Conference Contribution

Renaissance depictions of the Nursing Virgin are replete with incongruities and juxtapositions. Her rounded feeding breast is absurdly positioned and shaped in contrast to a flat space where her non-feeding breast should be; She has a dual identity a... Read More about The radical potential in becoming: Disembodied breasts and maternal femininity.

What do radical feminist art films look like? Desire and duration in Sam Taylor-Wood’s David (2004) (2010)
Presentation / Conference Contribution

British feminist art practice has a rich heritage of radical filmmaking, which has contributed to an understanding of radical feminist practice as subversive and oppositional. Crucial as these strategies are, the grounds upon which they were founded... Read More about What do radical feminist art films look like? Desire and duration in Sam Taylor-Wood’s David (2004).

The embodied intellectual: Impression and contact as political currency (2008)
Presentation / Conference Contribution

This paper explores the idea of the embodied intellectual through notions of contact, impression and affect. Through my reading of Tracey Emin’s short film Why I Never Became a Dancer, 1995, I consider the relation of criticality to haptic visuality... Read More about The embodied intellectual: Impression and contact as political currency.