‘An object of indecipherable bastardy – a real monster: Homosociality, homoeroticism and generic hybridity in dead man’s shoes’
(2013)
Book Chapter
This chapter explores Shane Meadows's approaches to genre, arguing that hybrid forms of film type are employed in order to underscore the elements of myth which are evident in his work. In particular, it looks at how evocations of the monster weave t... Read More about ‘An object of indecipherable bastardy – a real monster: Homosociality, homoeroticism and generic hybridity in dead man’s shoes’.