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All Outputs (8)

Bristol fashion: Reclaiming Cary Grant for Bristol – Film heritage, screen tourism and curating the Cary Comes Home Festival (2021)
Journal Article

Crofts, C. (2021) ‘Bristol Fashion: Reclaiming Cary Grant for Bristol – Film Heritage, Screen Tourism and Curating the Cary Comes Home Festival’ in submitted to Open Screens.

Abstract
This article re-examines Cary Grant’s star persona arguing tha... Read More about Bristol fashion: Reclaiming Cary Grant for Bristol – Film heritage, screen tourism and curating the Cary Comes Home Festival.

Publishing screen media practice research: Evolving processes of contextualisation, peer review and future proofing in Screenworks (2018)
Journal Article

This article outlines current publishing practices in the field of academic filmmaking through a detailed discussion of the development of Screenworks, a peer-reviewed online publication of practice research in screen media. The imperative for academ... Read More about Publishing screen media practice research: Evolving processes of contextualisation, peer review and future proofing in Screenworks.

'Digital Decay' (2008)
Journal Article

The fate of 35mm as an acquisition and exhibition medium is intimately connected with questions of future-proofing, archiving, preservation, and access, which are currently at the foreground of recent debates around screen heritage in the UK. In this... Read More about 'Digital Decay'.

Bluebell, short film and feminist film practice as research: Strategies for dissemination and peer review (2007)
Journal Article

This article seeks to reflect on my filmmaking practice through a discussion of my short film Bluebell (2003), situating the film within a theoretical context and providing a ‘route map’ of the practice research process. The film uses the cliché of ‘... Read More about Bluebell, short film and feminist film practice as research: Strategies for dissemination and peer review.

From the ‘hegemony of the eye’ to the ‘hierarchy of perception’: The reconfiguration of sound and image in terrence malick's days of heaven (2001)
Journal Article

Terrence Malick's Days of Heaven (1978) has been hailed as ‘one of the most beautiful films ever made’, but the film's immense cinematic beauty has detracted from the impact of its experimental soundtrack. Drawing on interview material with editor Bi... Read More about From the ‘hegemony of the eye’ to the ‘hierarchy of perception’: The reconfiguration of sound and image in terrence malick's days of heaven.