Outputs (8)

End-user action-sound mapping design for mid-air music performance (2020)
Thesis

How to design the relationship between a performer’s actions and an instrument’s sound response has been a consistent theme in Digital Musical Instrument (DMI) research. Previously, mapping was seen purely as an activity for DMI creators, but more re... Read More about End-user action-sound mapping design for mid-air music performance.

Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians (2018)
Journal Article

© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. In a New Interface for Musical Expression (NIME), the design of the relationship between a musician’s actions and the instrument’s sound response is critical in creating instrume... Read More about Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians.

A user experience review of music interaction evaluations (2017)
Presentation / Conference Contribution

The need for thorough evaluations is an emerging area of interest and importance in music interaction research. As a large degree of DMI evaluation is concerned with exploring the subjective experience: ergonomics, action-sound mappings and control i... Read More about A user experience review of music interaction evaluations.

Doctoral colloquium: The application of established gestural languages in the control mappings of free-hand gestural musical instruments (2016)
Book Chapter

The “mapping problem” is a long standing issue in the development of digital musical instruments, and occurs when an instrument’s musical response fails to reflect the performer’s gestural actions. This paper describes ongoing doctoral research that... Read More about Doctoral colloquium: The application of established gestural languages in the control mappings of free-hand gestural musical instruments.

GestureChords: Transparency in gesturally controlled digital musical instruments through iconicity and conceptual metaphor (2016)
Journal Article

This paper presents GestureChords, a mapping strategy for chord selection in freehand gestural instruments. The strategy maps chord variations to a series of hand postures using the concepts of iconicity and conceptual metaphor, influenced by their u... Read More about GestureChords: Transparency in gesturally controlled digital musical instruments through iconicity and conceptual metaphor.

Leimu: Gloveless music interaction using a wrist mounted leap motion
Presentation / Conference Contribution

Camera-based motion tracking has become a popular enabling technology for gestural human-computer interaction. However, the approach suffers from several limitations, which have been shown to be particularly problematic when employed within musical c... Read More about Leimu: Gloveless music interaction using a wrist mounted leap motion.

Understanding user-defined mapping design in mid-air musical performance
Presentation / Conference Contribution

© 2018 Copyright held by the owner/author(s). Publication rights licensed to Association for Computing Machinery. Modern gestural interaction and motion capture technology is frequently incorporated into Digital Musical Instruments (DMIs) to enable n... Read More about Understanding user-defined mapping design in mid-air musical performance.

Was that me?: Exploring the effects of error in gestural digital musical instruments
Presentation / Conference Contribution

Traditional Western musical instruments have evolved to be robust and predictable, responding consistently to the same player actions with the same musical response. Consequently, errors occurring in a performance scenario are typically attributed to... Read More about Was that me?: Exploring the effects of error in gestural digital musical instruments.