All Outputs (14)

2022 PSBN visiting artist lecture by Wuon-Gean Ho (2022)
Presentation / Conference Contribution

Wuon-Gean Ho gives a talk on how her latest series of narrative prints started six years ago, and traces the development of various themes through her work.

Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23 (2022)
Presentation / Conference Contribution

In this presentation, artist researcher Wuon-Gean Ho shares some of her recent creative outputs through the lens of time. She explains how her work bridges still and moving image through printmaking, book-making, film and animation. Some examples of... Read More about Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23.

Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte (2022)
Presentation / Conference Contribution

Wuon-Gean Ho reflects on how she made the transition from studying as a veterinarian in Cambridge University to a career as an artist researcher working at the Centre for Print Research, UWE Bristol. She touched upon some of the residencies she has e... Read More about Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte.

Meet me at the edge of infinity (2022)
Presentation / Conference Contribution

Colourful rainbow rolls, subtle blends, smoky à la poupée and shimmering bokashi appear in many types of print. These colour gradients are a continuous and gradual transformation from one colour to another, with no clear boundaries. They are a visual... Read More about Meet me at the edge of infinity.

Making colour break, bend and bounce (2021)
Presentation / Conference Contribution

Goma-zuri is a printing technique in Japanese woodblock which is characterised by specks of pigment that form a spotty rather than a flat layer of colour. Sometimes regarded as a beginner’s mistake, the Sosaku-hanga (creative print) movement of artis... Read More about Making colour break, bend and bounce.

Interdisciplinary thinking and creativity (2021)
Presentation / Conference Contribution

Various life experiences can feed creativity. My professional training as a veterinarian was an unusual foundation for lateral thinking and creative improvisation. A lucky scholarship to study printmaking in Japan developed my technical ability. Shar... Read More about Interdisciplinary thinking and creativity.

Interdisciplinary practice and creativity thinking in visual arts (2021)
Presentation / Conference Contribution

Various life experiences can feed creativity. My professional training as a veterinarian was an unusual foundation for lateral thinking and creative improvisation. A lucky scholarship to study printmaking in Japan developed my technical ability. Shar... Read More about Interdisciplinary practice and creativity thinking in visual arts.

Touch: Reflections on making - a crafted digital event (2021)
Presentation / Conference Contribution

This paper reports on the online symposium titled Touch: Reflections on Making developed between the Centre for Fine Print Research (CFPR) at the University of the West of England and the UK Crafts Council in December 2020. The event addressed the th... Read More about Touch: Reflections on making - a crafted digital event.

The craftsperson, tacit knowledge and digital embodiment (2021)
Presentation / Conference Contribution

We are increasingly living in a world of digital interfaces, computer screens for work, VR headsets for entertainment, displays in cars and on coffee machines. Computers, robotics and AI are beginning to present new ways and possibilities that can fo... Read More about The craftsperson, tacit knowledge and digital embodiment.

Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation (2021)
Presentation / Conference Contribution

This extended abstract accompanies a research film submission. This film makes three observations on the filming of tactility and movement in order to adequately convey tacit knowledge in embodied ways. The author, Wuon-Gean Ho, studied the craft... Read More about Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation.

Printmaking and time based media (2021)
Presentation / Conference Contribution

PRINTMAKING HAS INCREASINGLY LENT ITSELF to being represented in time-based media. While there is a rich history of documentary films that show the artist or printer at work, the print as multiple, often variable, and as a process is increasingly bec... Read More about Printmaking and time based media.

Dream lunch (2021)
Presentation / Conference Contribution

DURING THE FIRST MONTHS of the pandemic the intimate connection of food and our stability was amplified. We stockpiled beans, devoured ice1 cream novelties and became increasingly aware of the instability and inequity of the entire food system. While... Read More about Dream lunch.

ETC: Art/work. Artist Wuon-Gean Ho in conversation with Jake Spicer of Draw Brighton (2021)
Presentation / Conference Contribution

Talking of time and tide
Presentation / Conference Contribution

In this presentation, artist researcher Wuon-Gean Ho shares some of her recent creative outputs through the lens of time. She explains how her work bridges still and moving image through printmaking, book-making, film and animation. Some examples of... Read More about Talking of time and tide.