All Outputs (1085)

Representing creation in Huston's The Bible: In the Beginning (1966)
Presentation / Conference Contribution

An analysis of the representation of the Creation in John Huston’s The Bible: In the Beginnning.

Environmental and resource degradation associated with small-scale enterprise clusters in the red river delta of Northern Vietnam
Presentation / Conference Contribution

The paper reports on an empirical study of the environmental and resource degradation observed in small-scale handicraft clusters in the Red River Delta of northern Vietnam. Most entrepreneurs in these clusters face important challenges, including de... Read More about Environmental and resource degradation associated with small-scale enterprise clusters in the red river delta of Northern Vietnam.

The look and feel of humanity
Presentation / Conference Contribution

Conference presentation on cyborg identity and race on television.

Colour in flux: Describing and printing colour in art
Presentation / Conference Contribution

This presentation will describe artists, practitioners and scientists, who were interested in developing a deeper psychological, emotional and practical understanding of the human visual system who were working with wavelength, paint and other materi... Read More about Colour in flux: Describing and printing colour in art.

Specifying colour and maintaining colour accuracy for 3D printing
Presentation / Conference Contribution

Advances in rapid prototyping technologies have led to the emergence of three-dimensional printers which can fabricate physical artefacts, including the application of surface colours. In light of these developments, this paper asserts that the need... Read More about Specifying colour and maintaining colour accuracy for 3D printing.

Changing form: Stage, film and TV adaptations of Daphne du Maurier's Rebecca
Presentation / Conference Contribution

This paper looks at the ways in which Daphne du Maurier's novelistic techniques, such as the point-of-view of the nameless heroine, the flashbacks and framing device and the linguistic emphasis upon the English setting and country house, are adapted... Read More about Changing form: Stage, film and TV adaptations of Daphne du Maurier's Rebecca.

Facilitating the fine art digital print
Presentation / Conference Contribution

The Industrial Revolution of the late 18th – 19th C coincided with art’s Romantic period and its depiction of the ‘great person’ theory. Here, the Romanticists’ solitary creator and autographic distinction were the highest forms of originality in art... Read More about Facilitating the fine art digital print.

A quest for printed colour - From Hayter to hardcopy
Presentation / Conference Contribution

Artist and researcher Paul Thirkell traces his quest to bring colour to print through 3 decades of artistic currents and trends. The presentation aims to reveal insights into how print based artists think about and engage with colour.

Inkjet in question: Adapting current colour and ink technology for the requirements of the user
Presentation / Conference Contribution

This paper is an overview on the current application of inkjet and it’s, as to yet considered unfulfilled potential, which as a technology, is as revolutionary as Caxton’s printing press; and a presentation of an approach to develop inkjet from the p... Read More about Inkjet in question: Adapting current colour and ink technology for the requirements of the user.

Decorative Textiles: Laser and Ultrasound
Presentation / Conference Contribution

User preferences in colour enhancements for unsupervised printing methods
Presentation / Conference Contribution

An illustration of how research can generate research: Examining the progression of ideas and concepts used throughout a series of related research projects
Presentation / Conference Contribution

The combination of traditional printing inks and inkjet for increasing colour choices for artists
Presentation / Conference Contribution

Customising digital printing for fine art practice
Presentation / Conference Contribution

The presentation will demonstrate how through alternative methods of digital print production the Centre for Fine Print Research (CFPR) is developing methodologies for digital printing that attempt to move beyond standard reproductive print methods.... Read More about Customising digital printing for fine art practice.

From the Green Box to Typo/Typography: Duchamp and Hamilton's dialogue in print
Presentation / Conference Contribution

While much has been written about Marcel Duchamp's Large Glass and accompanying 'Green Box' publication, Duchamp's engagement and consideration of printing processes to activate and enhance its content are often overlooked. Thirkell's paper considers... Read More about From the Green Box to Typo/Typography: Duchamp and Hamilton's dialogue in print.

Machinery for textiles
Presentation / Conference Contribution

A visual survey of colour on paper and colour changes during changes to light
Presentation / Conference Contribution

The practical application of an artist's colour model as an alternative to CMYK
Presentation / Conference Contribution

This paper presents an alternative view of colour, from the artist's perspective. It highlights problems that are current in inkjet and wideformat printing. And how other print processes, such as (silk)screenprint, can offer answers to developing ink... Read More about The practical application of an artist's colour model as an alternative to CMYK.

Digital printing for artists
Presentation / Conference Contribution

The relevance of 19th century continuous tone photomechanical printing techniques to digitally generated imagery
Presentation / Conference Contribution

Paper presented at SPIE Electronic Imaging Conference, Santa Clara, USA. This is one of a portfolio of outcomes from an AHRC funded research project ('A Practical Reappraisal of Continuous Tone Photo-relief Printing', award of £157,000). Drawing on v... Read More about The relevance of 19th century continuous tone photomechanical printing techniques to digitally generated imagery.