All Outputs (77)

Reading the archive (2019)
Exhibition / Performance

Academic lead and curation of Reading the Archive, an exhibition and film screening, for Being Human Festival 2019. Part of an ongoing research topic to challenge the perspective and narrative of history documented in archives. Including a 2-year... Read More about Reading the archive.

Lago Cremisi Permanente (2019)
Physical Artefact

A text and image response to the short story ‘Watching God’ in the collection Three Moments of an Explosion by China Miéville. This a new book, based on the collaborative artist’s book trilogy (Red Blue Shades, Perm Green Light & Cad Yellow Deep) Edi... Read More about Lago Cremisi Permanente.

Sarah Bodman – I Made This For You (2019)
Exhibition / Performance

Sarah Bodman – I Made This For You 15th AMACI – Giornata del Contemporaneo Curated by Antonio Freiles, Galleria d’Arte Moderna e Contemporanea L. Barbera, Messina, Italy, 12/10/2019 – 14/11/2019 The 15th Day of Giornata del Contemporaneo – Itali... Read More about Sarah Bodman – I Made This For You.

Crafting Admin, Performing Bureaucracy (2019)
Presentation / Conference Contribution

What can artists do for business? How can business become a medium for artistic practice? How can crafting new modes of administration and bureaucracy enable and inform new forms of economy and commoning with the city? This workshop explores alter... Read More about Crafting Admin, Performing Bureaucracy.

In Your Aerial (2019)
Presentation / Conference Contribution

Established in the early 2000s, Bristol Wireless is a community network with a unique history and exciting new future. Developed so as to provide free Internet services to schools and community centers across central Bristol. As commercial Internet p... Read More about In Your Aerial.

The optical properties of the Woodburytype - An alternative printing technique based on a gelatine/pigment matrix (2019)
Presentation / Conference Contribution

© 2019 Society for Imaging Science and Technology The Woodburytype is a 19th century photomechanical technique, producing high-quality continuous-tone prints that use a mixture of pigment and gelatine as a relief print, in which the variation in heig... Read More about The optical properties of the Woodburytype - An alternative printing technique based on a gelatine/pigment matrix.

Printing the Muses: Reimaging digital musical instruments through 2.5D printing (2019)
Presentation / Conference Contribution

The objective is to explore cross-disciplinary methods of converting musical terms for tactile interfaces, thus enabling people unfamiliar in creating music to be explorative through the development of novel musical interfaces. The project involves w... Read More about Printing the Muses: Reimaging digital musical instruments through 2.5D printing.

How to print a rainbow (2019)
Presentation / Conference Contribution

In the 21st century, methods for translating additive colours as seen on screens (Red Green Blue (RGB)) into subtractive colours (Cyan Magenta Yellow Black (CMYK)) for industrial print are based on 4 colour halftoning. CMYK are so called process colo... Read More about How to print a rainbow.

Robotic ceramic paste extrusion for industrial prototyping and production (2019)
Presentation / Conference Contribution

Ceramic additive layer manufacture employs a range of different technologies including ceramic paste extrusion, powder/ binder jet and UV and daylight cure ceramic loaded resins. Each of these technologies has its own set of advantages and disadvanta... Read More about Robotic ceramic paste extrusion for industrial prototyping and production.

Drawing Review: Drawing as expanded practice, Document 1, UWE Drawing research (2019)
Physical Artefact

Document 1 is the publication accompanying the exhibition, Drawing Review. Drawing Review was an exhibition that took place is September 2019, exploring and revealing the role of drawing as expanded practice. Curated by members of UWE Drawing Resea... Read More about Drawing Review: Drawing as expanded practice, Document 1, UWE Drawing research.

Smart Tooling for Ceramic Extrusion: Developing craft based experiments into industrial applications. (2019)
Presentation / Conference Contribution

This paper will outline research into ceramic profile extrusion. The research was initiated as creative explorations within the author's own craft practice. However, the project has since developed into a UKRI funded project, with global companies, s... Read More about Smart Tooling for Ceramic Extrusion: Developing craft based experiments into industrial applications..

Artist's Book Yearbook 2020-2021 (2019)
Book

Published by Impact Press at The Centre for Fine Print Research, University of the West of England, Bristol, September 2019 Essays: With her regular front page, Tanya Peixoto (UK) celebrates some highlights of bookartbookshop over the last two ye... Read More about Artist's Book Yearbook 2020-2021.

Screen-printed graphite nanoplate conductive ink for machine learning enabled wireless radiofrequency-identification sensors (2019)
Journal Article

In this study, we demonstrate sustainable conductive screen printing ink containing graphite nanoplates (GNPs) prepared by means of combining shear and ultrasonication exfoliation processes with the aid of mixed-solvent strategy of isopropanol (IPA)-... Read More about Screen-printed graphite nanoplate conductive ink for machine learning enabled wireless radiofrequency-identification sensors.

Intersections Exhibition 2019: Collaborations in Textile Design Research (2019)
Exhibition / Performance

Intersections celebrates the breadth of creative collaborations in textile design research. Centred around the four themes of textiles and architecture, textiles and interactions, textile materialities and processes, as well as critical textiles, th... Read More about Intersections Exhibition 2019: Collaborations in Textile Design Research.

Infrastructure as Commons, Neglected Histories of Community Networks in Bristol (2019)
Presentation / Conference Contribution

Drawing review (2019)
Exhibition / Performance

Drawing Review was an exhibition that took place is September 2019, exploring and revealing the role of drawing as expanded practice. Curated by members of UWE Drawing Research, the artists were invited to show work that they considered to be drawing... Read More about Drawing review.

The art of sonic deception (2019)
Presentation / Conference Contribution

Sonic deception is the tactical use of sound to confuse, misguide and disrupt. Discourses of deception, trust and the semiotics of suspicion often neglect sound in favour of more linguistic, verbal readings. Drawing on Goodman’s (2009) analysis of th... Read More about The art of sonic deception.

Soo Art Gallery: Iranian architecture and interior architecture award (2019)
Other

The present project is a building, with an area of 210 sqm, which dates back to 50 years ago and is located in Chaharbagh-e Khajou. The structure of this building is duplex with two floors of which the ground floor is renovated. An enlightened and... Read More about Soo Art Gallery: Iranian architecture and interior architecture award.

The Force Majeure: Selected readings on climate change (2019)
Exhibition / Performance

Invited contributor to "Climate Care, A Curriculum for Urban Practice", curated by Gilly Karjevsky & Rosario Talevi, as part of Raumlabors, Floating University. For the programme, I selected a number of readings, to perform at the daily reading cy... Read More about The Force Majeure: Selected readings on climate change.

Robotic etching: The creation of digital etching using robotics (2019)
Presentation / Conference Contribution

This paper looks at the potentials afforded by robots when applied to traditional printing techniques such as etching. Through experiments using an adapted drawing robot, this study explores the possibilities of creating works where a traditional etc... Read More about Robotic etching: The creation of digital etching using robotics.