All Outputs (13)

Producing Noir: Wald, Scott, Hellinger (2014)
Book Chapter

This chapter is the first to be written about the role the producer played in creating 'classic' film noir (1940-1959). It explores the work of three contrasting producers, Jerry Wald (studio-based); Adrian Scott (studio, then blacklisted; and Mark H... Read More about Producing Noir: Wald, Scott, Hellinger.

The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980 (2013)
Book

This is the first study to focus on the most successful British independent producer of the 1970s, though his career stretched from the early 1980s to the early 1980s. The research for this publication was funded by a two-year AHRC grant and is based... Read More about The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980.

A Companion to Film Noir (2013)
Book

This edited collection contains 29 essays specially commissioned for this volume by leading scholars in the field. The volume is organised into 7 parts. Part 1, 'Conceptualising Film Noir', contains four essays that explore the ways in which this cat... Read More about A Companion to Film Noir.

Secret histories and the dirty war: The 1970s Second World War film (2010)
Presentation / Conference Contribution

This paper focuses on a neglected period of the British war film (the 1970s) and argues that this was a volatile, unsettled period when the direction and ideology of the war film was in flux. Producers were unclear as to what would engage audiences.... Read More about Secret histories and the dirty war: The 1970s Second World War film.

Understanding film production: Michael Klinger and the new film history (2009)
Presentation / Conference Contribution

This paper explored a wider debate about the epistemology and ontology of film history. Using the Michael Klinger papers, it offered an original exploration of an unknown history: his attempt to produce a Jewish epic war film based on the Dieppe Raid... Read More about Understanding film production: Michael Klinger and the new film history.

Interview: Allan Cubitt (2009)
Journal Article

Allan Cubitt is an important contemporary writer who has worked in fringe theatre, television and film. The interview was the first critical profile he has received and thus an original contribution to the history of screenwriting and British cinema.... Read More about Interview: Allan Cubitt.

Productive research: Approaches and sources to uncovering the role of the film producer (2009)
Presentation / Conference Contribution

This paper reviewed the approaches and methodologies deployed to research and write the monograph Sydney Box for Manchester University Press (2006) focusing on the use of archival material and other primary sources. It argued that film history needs... Read More about Productive research: Approaches and sources to uncovering the role of the film producer.

Creativity and the 'B' feature: Terence Fisher's crime films (2006)
Journal Article

This article explores the neglected area of the B Feature, produced by small companies on very tight budgets. It explores how it is possible to be creative in these constrained circumstances by concentrating on the crime film directed by Terence Fish... Read More about Creativity and the 'B' feature: Terence Fisher's crime films.

What cannot be said: 'Silent Dust'(1949)and the malevolent veteran (2005)
Journal Article

This was a counterpoint to the book chapter on service comedy. It explored a different type of 'unofficial' counter-hegemonic constructions of the Second World War' by focusing on a group of British films made immediately after the war and sporadical... Read More about What cannot be said: 'Silent Dust'(1949)and the malevolent veteran.

The "Other War": Images of the second world war in service comedies (2004)
Book Chapter

This chapter argues, following Angus Calder, that there was an official line of commemoration of the Second World War: a mythic construction that celebrated heroism, courage, resourcefulness, loyalty and patriotism. It valorised the virtues of the re... Read More about The "Other War": Images of the second world war in service comedies.

The production line: Reflections on the role of the producer in British cinema (2004)
Journal Article

A film producer has two responsibilities: to the public and to his backers. If he is an imaginative and courageous producer, the two may coincide. The ideal producer, it seems to me, must always look ahead and try not merely to acquiesce in box-offic... Read More about The production line: Reflections on the role of the producer in British cinema.

The creative producer: Michael Klinger
Presentation / Conference Contribution

Michael Klinger was the most successful independent producer working in the British film industry during the 1960s and 1970s. However, there has been no critical account of his work and he is barely mentioned, if at all, in standard histories of Brit... Read More about The creative producer: Michael Klinger.

The precariousness of production: Michael Klinger and the role of the film producer in the British film industry during the 1970's
Presentation / Conference Contribution

Michael Klinger was the most successful independent producer working in the British film industry during the 1960s and 1970s. However, there has been no critical account of his work and he is barely mentioned, if at all, in standard histories of Brit... Read More about The precariousness of production: Michael Klinger and the role of the film producer in the British film industry during the 1970's.