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Outputs (30)

Re-reading the page (2013)
Presentation / Conference Contribution

Sarah Bodman and Tom Sowden are based at the Centre for Fine Print Research, UWE, Bristol, where they explore many aspects of artists’ publishing: from the conception and history of the artist’s book to creative processes and output, current developm... Read More about Re-reading the page.

'Fifty Two Shopping Trolleys', 'Salad Dressing', 'Homeless People' and 'Some of the Buildings on the Sunset Strip'. (2013)
Physical Artefact

As part of his ongoing research into the artists’ books produced by Ed Ruscha in the 1960s and 70s, and how these have influenced a huge raft of copycat books since, Sowden produced his homage to one of Ruscha’s most famous books, 'All of the Buildin... Read More about 'Fifty Two Shopping Trolleys', 'Salad Dressing', 'Homeless People' and 'Some of the Buildings on the Sunset Strip'..

Follow-ed (after Hokusai) (2011)
Exhibition / Performance

Follow-ed (after Hokusai) is an exhibition of books inspired by the American artist Edward Ruscha, collected and curated by Tom Sowden and Michalis Pichler, at the Winchester Gallery, University of Southampton. This exhibition is part of Print Mat... Read More about Follow-ed (after Hokusai).

Surplus to requirement (2010)
Exhibition / Performance

Tom Sowden invited to curate a selection of Bristol-based book artists’ works for a collaborative project with the Righton Press group at Manchester Metropolitan University. Each artist produced a page to print, and a ‘sketch’ page on the theme o... Read More about Surplus to requirement.

Paper models: laser symposiun (2010)
Presentation / Conference Contribution

A one-day symposium on Wednesday 15 September 2010 for seventy-five delegates presented the results of the AHRC funded research project, Paper Models: Investigating laser cutting technology to develop new artists’ books and paper-based creative pract... Read More about Paper models: laser symposiun.

The art of laser cutting paper (2010)
Presentation / Conference Contribution

Tom’s talk discussed how artists are using the laser-cutter as a creative tool, with examples of artists works on paper and artists’ books.

A Manifesto for the Book (2010)
Book

What will be the canon for the artist’s book in the 21st Century? In an arena that now includes both digital and traditionally produced artists’ books, what will constitute the concepts of artists’ publishing in the future? This project was funded... Read More about A Manifesto for the Book.

Ruscha rip-off, rip-out (2010)
Journal Article

A Portfolio by Tom Sowdon as part of the special section on photo-bookworks in Vol. 37, No. 6 of Afterimage, the Journal of Media Arts and Cultural Criticism, published by Visual Studies Workshop, NY. The photo essay details a selection of the bo... Read More about Ruscha rip-off, rip-out.

Follow-ed (2009)
Journal Article

Invited Journal Article, The Bonefolder: a peer-reviewed e-journal for the bookbinder and book artist, Volume 6, No. 1, Fall 2009, ISSN 1555-656, pp 15 – 18 From Sowden’s own practice of producing artists’ books in homage to Ed Ruscha, he has been c... Read More about Follow-ed.

The future of publishing (2008)
Presentation / Conference Contribution

Sarah Bodman and Tom Sowden were invited by Tate Shaw, organiser of the event, to present research into the future of the contemporary artist’s book in the digital age from their AHRC funded project. In an arena including digital and traditional arti... Read More about The future of publishing.

Artists’ books abroad (2008)
Presentation / Conference Contribution

Presenting an overview of artist's book publishing in Europe and further afield: contemporary artists’ books, Internet publishing projects, altered books, performance books, and use of digital and traditional production methods.