Outputs (16)

A 'language of the body': Weightlifting and (reptilian) rhythms of regulation (2024)
Presentation / Conference Contribution

This audio-visual presentation recontextualizes postmodern ‘punk’ feminist writer Kathy Acker’s essay ‘Against Ordinary Language: The Language of the Body’ (1993) as a critical experimental work of narrative autoethnography. It will be proposed that... Read More about A 'language of the body': Weightlifting and (reptilian) rhythms of regulation.

Ring of animals (2024)
Exhibition / Performance

I was asked by Young In Hong to collaborate on this work by developing a sound accompaniment for her installed work, Ring of Animals (2023). The sound was developed as a generative piece that interspersed sounds based in synthesis and field recording... Read More about Ring of animals.

The Long Partition (2023)
Exhibition / Performance

Curators Note: Huma Mulji’s proposal consists of nine trompe l’oeil paintings of cassette tapes used by her mother to correspond with her closest female relatives. Each cassette carries an oral epistle, a Derridean “sendoff” pining for a reply, a lon... Read More about The Long Partition.

When I Dare To Be Powerful International Conference: Online talk with Irene Lusztig (2023)
Digital Artefact

When I Dare To Be Powerful Online Talk Series.

When I Dare to be Powerful International Conference brought filmmakers, artists, writers and activists together with conceptual thinkers and cultural theorists to answer pressing questions relating to... Read More about When I Dare To Be Powerful International Conference: Online talk with Irene Lusztig.

Brixham Immersed (2023)
Exhibition / Performance

This immersive experience for MetaQuest presents a combination of still point cloud renders of public and hidden spaces captured with LiDAR cameras that are brought to life by 2nd Order Ambisonic (Core Octomic) and spot field recordings (conventional... Read More about Brixham Immersed.

A Grounding (2023)
Exhibition / Performance

Made in collaboration with Eleanor Duffin, A Grounding (2023) is a speculative immersion in narrative substrate and sound. Approached by Eleanor to extend her lovely spoken word piece, I worked mainly with field recordings and plundered dialogue, alo... Read More about A Grounding.

Ring of animals (2023)
Exhibition / Performance

I was asked by Young In Hong to collaborate on this work by developing a sound accompaniment for her installed work, Ring of Animals (2023). The sound was developed as a generative piece that interspersed sounds based in synthesis and field recording... Read More about Ring of animals.

Score: Practices of listening and collision (2022)
Journal Article

A score is a research tool that approaches knowledge as a series of relations. A consciously authored, creative work, a score precipitates and establishes the initial terms of an encounter between stories or actors; performed (translated) into a con... Read More about Score: Practices of listening and collision.

Facilitating ambient intelligence of acoustic atmospheres (2022)
Exhibition / Performance

“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. ” – John Cage, ‘Silence’
The project intends to understand how sounds alter people’... Read More about Facilitating ambient intelligence of acoustic atmospheres.

Can you hear me now (2021)
Report

Sound is one of the most evocative storytelling devices we have. Never more so than in immersive storytelling, where sound plays so many key roles in the construction of narrative, the creation of presence, the development of an emotional landscape a... Read More about Can you hear me now.

Leeching (2020)
Exhibition / Performance

This collaboration with writer Lizzie Lloyd explored the parasitic opportunities available when hijacking a Zoom feed. Part of the On Edge symposium in October 2020, organised by Young In Hong, Leeching drew materials from the artworks and discussion... Read More about Leeching.

Incommensurate Compositions (2018)
Digital Artefact

An output from a collaborative project with Architects and Crystallographers from Cardiff University to explore creative opportunities within crystallographic data-sets and modelling algorithms.

These compositions are made with a software tool, co... Read More about Incommensurate Compositions.

Composing with crystallography (2018)
Exhibition / Performance

Collaborative project with Architects and Crystallographers from Cardiff University to explore creative opportunities within crystallographic data-sets and modelling algorithms. This composition research developed and extended their Leverhulme funded... Read More about Composing with crystallography.

Building materials: An installed composition (2015)
Thesis

This research project extends my creative work and unpacks my interest in the use of sonification and mapping as compositional strategies, both in my own practice and more broadly. The thesis reflects on the installed composition, 'Building Materials... Read More about Building materials: An installed composition.

I am a painter (2011)
Other

I Am A Painter, its title taken from Paul Klee’s quote about the joy of colour, is an aleatoric film of endless duration in which the images and sound are composed according to a simple set of rules. It is a piece about colour and sound, that grew fr... Read More about I am a painter.

Building Materials (2010)
Exhibition / Performance

Building Materials was an installed composition, made in direct response to the architecture and use of Exeter Phoenix, and created as a result of the 2010 Digital Art Commission.
Microphones and sensors spread throughout the building carry raw data... Read More about Building Materials.