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All Outputs (55)

Facilitating the fine art digital print (2008)
Presentation / Conference
Laidler, P. (2008, October). Facilitating the fine art digital print. Paper presented at 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol

The Industrial Revolution of the late 18th – 19th C coincided with art’s Romantic period and its depiction of the ‘great person’ theory. Here, the Romanticists’ solitary creator and autographic distinction were the highest forms of originality in art... Read More about Facilitating the fine art digital print.

Pixel perfect - working with CMYK & RGB - A comparison of printed samples (2008)
Presentation / Conference
Parraman, C., Laidler, P., & Wang, Y. (2008, October). Pixel perfect - working with CMYK & RGB - A comparison of printed samples. Presented at 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol

This workshop compared different pre-printed samples on a range of fine art materials, which range from Japanese papers to fine art canvas. These samples demonstrate a very broad range of surface qualities and differences in the gamut of the printed... Read More about Pixel perfect - working with CMYK & RGB - A comparison of printed samples.

The photographic in digital printmaking (2008)
Presentation / Conference
Laidler, P. (2008, July). The photographic in digital printmaking. Paper presented at The Association for Photography in Higher Education: Annual Conference Shifting Perspectives: Photography, Education and the Future, University of the West of England, Bristol

The paper describes the initial felt need to begin investigating the impact of digital technology within the field of fine art printmaking as a practice led PhD study. Then moving beyond the felt need the presentation pinpoints a series of seminal te... Read More about The photographic in digital printmaking.

The production of archivally stable fine art prints: The role of the master printer in the digital age (2006)
Book Chapter
Thirkell, P., & Laidler, P. (2006). The production of archivally stable fine art prints: The role of the master printer in the digital age. In R. Thompson, A. Manning, & J. Townsend (Eds.), Preservation and Conservation Issues Related to Digital Printing and Digital Photography. World Power Books

From a conference paper given at the Third International Conference: Preservation and Conservation Issues Related to Digital Printing and Digital Photography, 25th April 2006, Institute of Physics, London. For many blue chip artists the master printe... Read More about The production of archivally stable fine art prints: The role of the master printer in the digital age.

Customising digital printing for fine art practice (2005)
Journal Article
Thirkell, P., Parraman, C., Hoskins, S., Laidler, P., & Wang, H. Q. (2005). Customising digital printing for fine art practice. Proceedings of SPIE, 5667, 465-472. https://doi.org/10.1117/12.587891

The presentation will demonstrate how through alternative methods of digital print production the Centre for Fine Print Research (CFPR) is developing methodologies for digital printing that attempt to move beyond standard reproductive print methods.... Read More about Customising digital printing for fine art practice.

A perpetual portfolio (2005)
Exhibition / Performance
Laidler, P., Hoskins, S., Bodman, S. L., & Johnson, L. (2005). A perpetual portfolio. 2 June 2005 - 26 June 2005. (Unpublished)

The Catalogue for the Perpetual Portfolio Exhibition was released at the Museo Nacional Del Grabado, Buenos Aires, Argentina in June 2005. The publication includes all twenty-three prints produce during the CFPR digital residency programme of which e... Read More about A perpetual portfolio.

Print is dead series
Digital Artefact
Laidler, P. (2015). Print is dead series

Included in the exhibition ‘Post-digital printmaking: Redefinition of the concept of matrix’curated by Prof. Aleksandra Janik at the Wrocław Academies Centre for Applied Arts and Innovation 02/11/2015 – 19/11/2015. The exhibition presents examples... Read More about Print is dead series.

Toast: A night on Weevil Lake
Physical Artefact
Bodman, S. L., Butler, A., Allsebrook, H., Baeumler, C., Butler, S., Campbell, N., …Stevens, E. F. (2011). Toast: A night on Weevil Lake

A collaborative artist's book and movie produced on World Book Night, Saturday 5th March 2011, in tribute to Douglas Coupland's novel The Gum Thief, an evening of nothing being cooked, Chinese food having to be ordered in and eaten off of paper plat... Read More about Toast: A night on Weevil Lake.

Recording landscape
Presentation / Conference
Laidler, P. Recording landscape. Presented at Doverodde Book Arts Festival 2010, 14-16 May 2010

A conference workshop on producing and stitching panoramic photographs of the landscape for digital print and books.

Shine on
Physical Artefact
Ambeck, M. D., Atkinson, C., Bodman, S. L., Butler, A., Butler, S., Campbell, N., …Wyatt, C. (2015). Shine on

On 23/04/15, we, the WBN United Artists made our annual World Book Night tribute. This year we chose Stephen King's magnificent horror novel The Shining. We matched the models to text excerpts from the New English Library paperback edition of The Shi... Read More about Shine on.