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All Outputs (29)

Trees
Digital Artefact
Flaxton, T. (2014). Trees

Created as a research artefact to explore moving image mosaics or multi level imaging on a single screen (Output 1 Practice as Research Portfolio) I will be publishing details of my Research Framework and research methodologies in the ref CV which wi... Read More about Trees.

RWA 2014 autumn open
Digital Artefact
Flaxton, T. (2014). RWA 2014 autumn open

As a Royal West of England Academician I am entitled to enter two works in each years Autumn Open. As such I showed several moving image artworks works including 'Reflection on Water'. I am engaged on a project which examines the effects of entrainme... Read More about RWA 2014 autumn open.

Somerset hillside
Digital Artefact
Flaxton, T. (2014). Somerset hillside

Created as a research artefact to explore mosaic or multiple level moving images. The frontal lobe assessment of an image is confused first by multiplying the moving images shown and by adding binocular stereopsis(3D). Yet si far with the audience it... Read More about Somerset hillside.

Higher dynamic range image generation laboratory Sept 2014
Digital Artefact
Flaxton, T., Sparke, S., & Boyle, G. (2014). Higher dynamic range image generation laboratory Sept 2014

Due to previous research undertaken with University of Bristol, Bristol Vision Institute, Professor Flaxton organised a Higher Dynamic Range Laboratory with staff and students from both UoB Faculty of Engineering and UWE's Centre for Moving Image Res... Read More about Higher dynamic range image generation laboratory Sept 2014.

CMIR ONE
Digital Artefact
Flaxton, T. (2015). CMIR ONE

This exhibition included a my moving image Diptych of the youth of Bristol. I am engaged on a long term project which examines the effects of entrainment rather than the semantic 'reading of an artwork'by the audience. Each exhibition or artefact bec... Read More about CMIR ONE.

Bristol international festival of cinematography September 2015 (The creation of immersive learning and advanced innovation environments)
Digital Artefact
Flaxton, T., Sparke, S., & Boyle, G. (2015). Bristol international festival of cinematography September 2015 (The creation of immersive learning and advanced innovation environments)

From staging previous events (CML Tests, HDR Innovation Laboratory with UoB Fac of Engineering) CMIR had learned that an important issue within engagement between industry and academic disciplines is the osmotic learning process where both learn from... Read More about Bristol international festival of cinematography September 2015 (The creation of immersive learning and advanced innovation environments).

CML/CMIR camera tests Feb 2014
Digital Artefact
Flaxton, T., & Sparke, S. CML/CMIR camera tests Feb 2014

Centre for Moving Image Research and Cinematographers Mailing Lists began testing cameras and Camera Prototypes together in February 2014. These involved Professional Cinematographers and various professional crew members (Camera Assistants, Digital... Read More about CML/CMIR camera tests Feb 2014.

Bristol Cathedral exhibition: An investigation of audience engagement with installation work via principles of ‘entrainment’ as opposed to a semantic reading of art
Digital Artefact
Flaxton, T. (2015). Bristol Cathedral exhibition: An investigation of audience engagement with installation work via principles of ‘entrainment’ as opposed to a semantic reading of art

This was an exhibition of my moving image triptych, The Intersection of Dreams at Bristol Cathdral for the month of March 2015. This work was funded by both UoB and UWE. I am engaged on a project which examines the effects of entrainment rather than... Read More about Bristol Cathedral exhibition: An investigation of audience engagement with installation work via principles of ‘entrainment’ as opposed to a semantic reading of art.