All Outputs (80)

Beyond Blue (2014)
Presentation / Conference
Hoskins, S., Huson, D., Halfpenny, P., Baskeyfield, J., Hodes, C., Scott, P., …Orr, C. (2014, January). Beyond Blue. Presented at Beyond Blue Symposium, Victoria and Albert Museum, London, UK

This symposium led by Professor Stephen Hoskins and David Huson brought together leading academic researchers, industry experts and artists to discuss underglaze tissue ceramic printing.

3D printing for the visual arts an overview of current practice and its historical context (2014)
Book Chapter
Hoskins, S. (2014). 3D printing for the visual arts an overview of current practice and its historical context. In P. L. Harrison, E. Shemilt, & A. Watson (Eds.), Borders and Crossings: The Artist as Explorer (246). Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee

Rapidly gaining popular attention, 3D printing is viewed as the next life changing technology. This talk explains how the creative industries are directly interfacing with this new technology and how it is changing the practices of many artists and... Read More about 3D printing for the visual arts an overview of current practice and its historical context.

‘A very English process’ Underglaze tissue printing for ceramics - a collaboration to retain 19th century printing skills in a commercial environment (2014)
Book Chapter
Hoskins, S., & Huson, D. (2014). ‘A very English process’ Underglaze tissue printing for ceramics - a collaboration to retain 19th century printing skills in a commercial environment. In P. L. Harrison, E. Shemilt, & A. Watson (Eds.), Borders and Crossings: The Artist as Explorer (122-127). Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee

The standard text ‘Penny Plain and Twopence coloured’ regarding Blue and White underglaze ceramic transfer printing begins: ‘Transfer printing is a particularly English form of ceramic decoration’ (Halfpenny, Pat. 1994). Underglaze tissue ceramic tr... Read More about ‘A very English process’ Underglaze tissue printing for ceramics - a collaboration to retain 19th century printing skills in a commercial environment.

3D printing of self-glazing ceramics: An investigation into Egyptian faience (2014)
Book Chapter
Huson, D., & Hoskins, S. (2014). 3D printing of self-glazing ceramics: An investigation into Egyptian faience. In E. Shemilt, A. Watson, & P. L. Harrison (Eds.), Borders and Crossings: The Artist as Explorer (134-137). Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee

The Centre for Fine Print Research at the University of the West of England has recently been awarded funding from the UK Arts and Humanities Research Council for a three year research project entitled “Can Egyptian Paste Techniques (Faience) be used... Read More about 3D printing of self-glazing ceramics: An investigation into Egyptian faience.

Reproduction of texture in digitally printed artworks (2013)
Presentation / Conference
Hoskins, S., Parraman, C., Mccallion, P., & Cohen, C. (2013, July). Reproduction of texture in digitally printed artworks. Paper presented at AIC 2013, Newcastle-upon-Tyne

This paper considers alternative approaches to image making and printing that moves from the on-screen representation of images and painting applications, to the physical generation and methods for surface deposition or 2.5D printing. The research in... Read More about Reproduction of texture in digitally printed artworks.

Continuous tone colour printing in two and a half dimensions through a combination of 19th century analogue methodologies and 3D printing (2013)
Book Chapter
Hoskins, S., & Mccallion, P. (2013). Continuous tone colour printing in two and a half dimensions through a combination of 19th century analogue methodologies and 3D printing. In F. Masahiko, & B. Lozo (Eds.), NIP29 29th International Conference on Digital Printing Technologies Digital Fabrication 2013 Technical Programme and Proceedings (244-248). USA: Society for Imaging Science and Technology

This paper proposes a contemporary method of continuous tone colour printing based upon the Nineteenth Century printing process of Woodburytype as developed by Walter Bentley Woodbury in 1865. Woodburytype was the only truly continuous tone printing... Read More about Continuous tone colour printing in two and a half dimensions through a combination of 19th century analogue methodologies and 3D printing.

A model for the collaborative studio in the 21st Century: What it might be! (2013)
Book Chapter
Hoskins, S. (2013). A model for the collaborative studio in the 21st Century: What it might be!. In L. Morgan (Ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference (238-242). Australia: Monash University Publishing

Chair of the panel 'A model for the collaborative studio in the 21st Century and the changing role of the Master Printer' Professor Stephen Hoskins will present a paper at IMPACT 7 International Multi-disciplinary Printmaking Conference, Monash Unive... Read More about A model for the collaborative studio in the 21st Century: What it might be!.

Novel ceramic materials and 3D printing applications (2012)
Presentation / Conference
Hoskins, S. (2012, September). Novel ceramic materials and 3D printing applications. Paper presented at TCT Additive Manufacturing and 3D Printing Conference, NEC Birmingham, UK

Research in the field of 3D printed ceramics has been undertaken for at least 20 years; the initial patents filed by Moo and Cima of MIT in 1992, detail the use of ceramic powders. In the last ten years the research has split between what could be de... Read More about Novel ceramic materials and 3D printing applications.

Printmaking: art and industry, from lithography to stereo lithography (2012)
Presentation / Conference
Hoskins, S. (2012, August). Printmaking: art and industry, from lithography to stereo lithography

Professor Stephen Hoskins will give an invited lecture on Printmaking: Art and Industry, From Lithography to Stereo Lithography at The 2nd European Lithography Days 2012, initiated by the Steindruck München Lithography Workshop at the Münchner Künstl... Read More about Printmaking: art and industry, from lithography to stereo lithography.

The evolution of a sugar bowl (2012)
Presentation / Conference
Hoskins, S. (2012, May). The evolution of a sugar bowl. Paper presented at RAPID 2012, Atlanta, Georgia, USA

This paper provides examples of current research in the field of 3D printed ceramics from a creative design perspective. It will also present a case study of a research collaboration between Denby Potteries and the Centre for Fine Print Research (CFP... Read More about The evolution of a sugar bowl.

Towards a new ceramic future (2012)
Presentation / Conference
Hoskins, S., Huson, D., & Walters, P. (2012, January). Towards a new ceramic future. Presented at Towards a New Ceramic Future, Victoria and Albert Museum, Hochhauser Auditorium, London, UK

This symposium brought together leading experts in the field of 3D printed ceramics to disseminate recent research findings, share knowledge, and to discuss scope for future developments. The event presented results of the AHRC funded project Solid F... Read More about Towards a new ceramic future.

Towards a new ceramic future (2012)
Journal Article
Hoskins, S. (2012). Towards a new ceramic future. Ceramic Review, 255, 64-65

This article describes the findings of the AHRC funded research project 'Solid Free-form Fabrication in Fired Ceramic as a Design Aid for Concept Modelling in the Ceramic Industry'. Investigators Huson and Hoskins have developed a patented ceramic ma... Read More about Towards a new ceramic future.

3D printing of transparent glass (2012)
Book Chapter
Huson, D., Parraman, C., Klein, S., Simske, S., Walters, P., Adams, G., & Hoskins, S. (2012). 3D printing of transparent glass. In P. Benning, S. Silence, S. Simske, & W. Zapka (Eds.), NIP28/Digital Fabrication 2012 Technical Programme and Proceedings (336-337). Springfield, VA: IS&T: The Society for Imaging and Technology

Peer reviewed conference paper given at Digital Fabrication 2012/NIP28, 28th International Conference on Digital Printing Technologies, 3D Printing panel. Traditional assembly line manufacturing is speculative, costly and environmentally unsustainabl... Read More about 3D printing of transparent glass.

Computational colour, the visual artist and the printed artefact (2012)
Journal Article
Hoskins, S. (2012). Computational colour, the visual artist and the printed artefact

A peer reviewed journal article published in the Journal of the International Colour Association (JAIC). This paper outlines the limitations of digital printing in respect of its ability to replicate the nuances of colour that might be achieved by... Read More about Computational colour, the visual artist and the printed artefact.

Foreword (2012)
Book Chapter
Hoskins, S. (2012). Foreword. In A. Marshall, B. Moglia, J. Mosley, & A. Savoie (Eds.), Type in Europe (5). Lyon: EMCC

Professor Stephen Hoskins was invited to write the foreword to Type in Europe (La lettre en Europe), published to coincide with the Congrès des Musées Européens de l’Imprimerie in Lyon. The European typographical heritage is extremely rich and varie... Read More about Foreword.

Funding for faience (2012)
Journal Article
Hoskins, S. (2012). Funding for faience. Ceramic Review, 15

Professor Stephen Hoskins explains an exciting three-year Arts and Humanities Research Council project.

3D printing of self-glazing ceramics: An investigation into Egyptian Faience (2012)
Book Chapter
Hoskins, S., & Huson, D. (2012). 3D printing of self-glazing ceramics: An investigation into Egyptian Faience. In P. Benning, S. Silence, S. Simske, & W. Zapka (Eds.), NIP 28/Digital Fabrication 2012 Technical Program and Proceedings (341-343). Springfield, VA: IS&T: The Society for Imaging Science and Technology

Peer reviewed paper given at Digital Fabrication 2012/NIP 28 28th International Conference on Digital Printing Technologies. Stephen Hoskins and David Huson at the Centre for Fine Print Research at the University of the West of England are continui... Read More about 3D printing of self-glazing ceramics: An investigation into Egyptian Faience.

Patent for 3D ceramic material (2011)
Patent
Hoskins, S., & Huson, D. (2011). Patent for 3D ceramic material. PCT/GB2011/051069

Based on a broad programme of research undertaken by Professor Stephen Hoskins and Mr David Huson, which led to the award of several AHRC-funded research projects ('The Fabrication of Three Dimensional Art and Craft Artefacts through Virtual Digital... Read More about Patent for 3D ceramic material.

The digital physical artefact: A case study for digital engagement in the creative industries (2011)
Presentation / Conference
Hoskins, S., & Huson, D. (2011, November). The digital physical artefact: A case study for digital engagement in the creative industries. Poster presented at Digital Engagement 2011 (the Digital Economy All Hands Meeting), Newcastle-upon-Tyne, UK

For the last five years the research team at the Centre for Fine Print Research have concentrated on the interface between creative design and mass market technologies. The research developed from a three-year AHRC project ‘The Fabrication of Art and... Read More about The digital physical artefact: A case study for digital engagement in the creative industries.

Sustainability in printmaking (2011)
Book Chapter
Hoskins, S., & Risseeuw, J. (2011). Sustainability in printmaking. In S. Hoskins (Ed.), Impact 6 Proceedings (70-76). Bristol: Impact Press/LULU

Using their research study on Sustainability in Print Media for this peer reviewed conference paper, John Risseeuw and Stephen Hoskins provided a framework for understanding the basic science of sustainability, relating it to art materials and practi... Read More about Sustainability in printmaking.