Skip to main content

Research Repository

Advanced Search

All Outputs (80)

Ink For Printmakers (2023)
Book
Hoskins, S. (in press). Ink For Printmakers. London: Bloomsbury Publishing

Inks have remained a fundamental aspect of the printing process for thousands of years. In this comprehensive and accessible guide, Stephen Hoskins and Michael Craine trace the development of inks from ancient China, through the Middle Ages and the i... Read More about Ink For Printmakers.

Ink for Printmaking (2023)
Book
Hoskins, S. (in press). Ink for Printmaking. London: Bloomsbury Publishing

Flight of Fancy (2023)
Exhibition / Performance
Hoskins, S. Flight of Fancy. [Curated Solo Exhibition and Catalogue (pp70) ISBN 9789887733584]. Exhibited at Jockey Club Creative Arts Centre, 30 Oak Tin Street, Ship Keep Mei, Kowloon. 28 January 2023 - 12 March 2023. (Unpublished)

'Flight of Fancy' presents a range of prints on paper by Stephen Hoskins as well as two of his printstallation works. The three-dimensional flying machines in the exhibition combine a variety of aesthetics with the results of his research on print te... Read More about Flight of Fancy.

"Flight of fancy" A retrospective of prints that fly (2021)
Exhibition / Performance
Hoskins, S. "Flight of fancy" A retrospective of prints that fly. [https://www.impact11.hk/application/en/?type=exhibition]. Exhibited at Hong Kong. 20 April 2021 - 25 June 2021. (Unpublished)

Stephen Hoskins has been making kite and aeroplane prints for the last forty years. Inspired by an Uncle who made model aeroplanes in the 1950’s. The prints are as much about the craft of making, as they are a gentle delight in challenging the notion... Read More about "Flight of fancy" A retrospective of prints that fly.

CFPR Showcase (2020)
Exhibition / Performance
Boons, S., Field, L., Jorgensen, T., Dessain, C., Butler, A., Hoskins, S., …Trujillo Vazquez, A. CFPR Showcase. [Various]. 9 December 2020. (Unpublished)

Our shift towards the digital has provided us a new challenge: how can we offer an alternative experience that surpasses a physical visit to an exhibition? This showcase is a first response to this question. It includes a range of images, a video, an... Read More about CFPR Showcase.

Desire Lines (2019)
Physical Artefact
Hoskins, S., Hingley, L., & Bual, S. Desire Lines. [paper, digital print]. UWE Bristol

Large scale kites printed on paper commissioned as part of the AHRC funded Design, material culture and popular creativity in suburban faith communities. This project explores the ways in which suburban faith communities create space focusing on arc... Read More about Desire Lines.

Screen printing as a 20th Century graphic medium (2019)
Journal Article
Hoskins, S. (2019). Screen printing as a 20th Century graphic medium. Journal of the Printing Historical Society, 30,

Within the canon of twenty-first century printing history, screen printing is definitely the poor relation. By comparison a great deal of literature concerning the demise and continued existence of metal type and letterpress has been published and di... Read More about Screen printing as a 20th Century graphic medium.

Crafts in the Digital Age (2018)
Presentation / Conference
Hoskins, S. (2018, September). Crafts in the Digital Age. Presented at HomoFaber Conference, Venice, Italy

Professor Stephen Hoskins was an invited speaker on Crafts in the Digital Age at HomoFaber Conference presented by the Michelangelo Foundation, Venice in collaboration with Institut National des Métiers d'Art INMA, 29th September 2018. The Crafts... Read More about Crafts in the Digital Age.

Printmaking an industrial continuum, technology looking back to go forward (2017)
Presentation / Conference
Hoskins, S. (2017, November). Printmaking an industrial continuum, technology looking back to go forward. Presented at The First International Printmaking Conference: From Tradition to Transition: Aspects and Technologies of printmaking from the past to present day, Nicosia, Greece

This talk was composed of two halves; the first in essence is a history lesson on how printmaking relates to industrial printing. The second half explained the development of the Centre for Fine Print Research including the historic context of print... Read More about Printmaking an industrial continuum, technology looking back to go forward.

The recent past and future of printmaking in the post print age with reference to its context in contemporary art, industry and society (2015)
Book Chapter
Hoskins, S. (2015). The recent past and future of printmaking in the post print age with reference to its context in contemporary art, industry and society. In L. Ballantyne, C. Andrei, A. McInnes, & A. Tsekova (Eds.), IMPACT 9 International Printmaking Conference (22). China: China Academy of Art Press

Printmaking globally is a thriving and very diverse discipline that currently encompasses practice from traditional woodcutting and engraving through to laser cutting and 3D printing. Sixteen years ago I started the first IMPACT conference because i... Read More about The recent past and future of printmaking in the post print age with reference to its context in contemporary art, industry and society.

Academic research into printmaking (2014)
Presentation / Conference
Hoskins, S. (2014, October). Academic research into printmaking. Presented at Guanlan Forum, Guanlan Print Art Museum

Keynote given at the Guanlan Forum: Museum and Print Art Ecology.

Issues of tacit knowledge within 3D printing for artists, designers and makers (2014)
Journal Article
Hoskins, S. (2014). Issues of tacit knowledge within 3D printing for artists, designers and makers

The creative industries are directly interfacing with 3D printing technology and how it is changing the practices of many artists and designers across the globe. However for the creative community it is not possible to take on a new manufacturing tec... Read More about Issues of tacit knowledge within 3D printing for artists, designers and makers.

Digital creation of hand engraved copper plates to secure a historic process (2014)
Journal Article
Hoskins, S. (2014). Digital creation of hand engraved copper plates to secure a historic process

Underglaze tissue ceramic transfer printing was first developed circa 1750 and involved the use of engraved or etched copper plates, from which a wet strength tissue paper was printed with an oxide (commonly cobalt for blue colour) the famous ‘Will... Read More about Digital creation of hand engraved copper plates to secure a historic process.

3D printed ceramics for tableware, artists/designers and specialist applications (2014)
Conference Proceeding
Huson, D., & Hoskins, S. (2014). 3D printed ceramics for tableware, artists/designers and specialist applications. In S. Sirisoonthorn, S. Jiemsirilers, S. Nilpairach, T. Wasanapianpong, P. Sujaridworakun, & N. Chuankrerkkul (Eds.), Traditional and Advanced Ceramics. , (351-357). https://doi.org/10.4028/www.scientific.net/KEM.608.351

The Centre for Fine Print Research at the University of the West of England has over five year’s experience in the 3D printing of ceramic materials. The first project undertaken was to investigate the use of 3D technologies for artists and resulted... Read More about 3D printed ceramics for tableware, artists/designers and specialist applications.

Underglaze tissue printing for ceramic artists, a collaborative project to re-appraise 19th century printing skills (2014)
Conference Proceeding
Hoskins, S., & Huson, D. (2014). Underglaze tissue printing for ceramic artists, a collaborative project to re-appraise 19th century printing skills. In S. Sirisoonthorn, S. Jiemsirilers, S. Nilpairach, T. Wasanapianpong, P. Sujaridworakun, & N. Chuankrerkkul (Eds.), Traditional and Advanced Ceramics. , (335-340). https://doi.org/10.4028/www.scientific.net/KEM.608.335

Under-glaze tissue ceramic transfer printing first developed circa 1850 and involved engraved or etched copper plates, from which tissue was printed with cobalt blue oxides. Under-glaze tissue has a very distinctive, subtle quality – it is an integra... Read More about Underglaze tissue printing for ceramic artists, a collaborative project to re-appraise 19th century printing skills.

A very English process: Underglaze tissue printing for ceramic artists, a collaborative project to reappraise 19th century printing skills (2014)
Presentation / Conference
Hoskins, S. (2014, March). A very English process: Underglaze tissue printing for ceramic artists, a collaborative project to reappraise 19th century printing skills. Paper presented at Material World, NCECA’s 48th Annual Conference, Milwaukee, Wisconsin, USA

The standard text regarding Blue and White underglaze ceramic transfer printing ‘Penny Plain and Twopence coloured’ begins: ‘Transfer printing is a particularly English form of ceramic decoration’(1). Underglaze tissue ceramic transfer printing fir... Read More about A very English process: Underglaze tissue printing for ceramic artists, a collaborative project to reappraise 19th century printing skills.

Continuous tone printing in silicone from CNC milled matrices (2014)
Journal Article
Hoskins, S., & McCallion, P. (2014). Continuous tone printing in silicone from CNC milled matrices. Proceedings of SPIE, 9018, https://doi.org/10.1117/12.2043123

Current research at the Centre for Fine Print Research (CFPR) at the University of the West of England, Bristol, is exploring the potential of creating coloured pictorial imagery from a continuous tone relief surface. To create the printing matrices... Read More about Continuous tone printing in silicone from CNC milled matrices.