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All Outputs (28)

Digital commons and architecture's self-image (2023)
Presentation / Conference
Banou, S. (2023, October). Digital commons and architecture's self-image. Presented at AHRA International Conference 2023: Situated Ecologies of Care, Portsmouth

The research frames an emerging visual culture of display and observation that relies on the staging of architecture and the city not ‘as’ but ‘for’ the image. This does not concern strictly the building as visual object (Jencks 2006; Brigden 2019),... Read More about Digital commons and architecture's self-image.

The value of creativity: Architectural divergence & regulatory convergence (2023)
Presentation / Conference
Banou, S., & Hynam, M. (2023, September). The value of creativity: Architectural divergence & regulatory convergence. Paper presented at Architecture of Alterity: Body, Media, Space, Cardiff, Wales

At the beginning of the 2023-24 academic year, the architectural design community in the United Kingdom, is cautiously anticipating the Architect’s Registration Board, to provide the new guidelines and regulations for the delivery of architectural ed... Read More about The value of creativity: Architectural divergence & regulatory convergence.

Inhabitation, difference, performance: Architectural linearity in three movements (2023)
Journal Article
Banou, S. (2023). Inhabitation, difference, performance: Architectural linearity in three movements. Drawing: Research, Theory, Practice, 8(1), 49-69. https://doi.org/10.1386/drtp_00105_1

This article questions the temporal and material limitations of architectural representation, as they emerge through the problematic relationship between architectural drawing, considered as a static object of fixed convention and space as an inheren... Read More about Inhabitation, difference, performance: Architectural linearity in three movements.

Artificial landscapes: Nature as urban object (2022)
Presentation / Conference
Banou, S. (2022, November). Artificial landscapes: Nature as urban object. Paper presented at RAPS Eindhoven 2022: Entanglements, Online

This paper will focus on the objectification of nature within architectural and urban design in order to define and examine a new ‘iconic’ (Jencks, 2006) turn of architecture, towards the integration of nature as a token of sustainability. The paper... Read More about Artificial landscapes: Nature as urban object.

Land, air and water: Reclaiming the Anthropocene through Bristol’s infrastructural megastructures (2022)
Presentation / Conference
Banou, S., & Hynam, M. (2022, August). Land, air and water: Reclaiming the Anthropocene through Bristol’s infrastructural megastructures. Paper presented at International Sustainable Ecological Engineering Design for Society (SEEDS) Conference 2022, Online and at University of the West of England, Bristol

The paper presents work developed across a series of architectural design studios at the Department of Architecture and the Built in Environment at UWE Bristol, and the specific techniques of representation they have tested and refined towards combin... Read More about Land, air and water: Reclaiming the Anthropocene through Bristol’s infrastructural megastructures.

The intimate archive: Sites of representation and embodiment in a reading of Drawing Matter (2022)
Book Chapter
Banou, S. (2022). The intimate archive: Sites of representation and embodiment in a reading of Drawing Matter. In F. Goffi (Ed.), The Routledge Companion to Architectural Drawings and Models: From Translating to Archiving, Collecting and Displaying. London: Routledge

This chapter draws from Frascari’s discussion of “Drawings as loci for thought” () as well as earlier research on the “situation of drawing” (Banou 2015), to propose that the drawing archive inherits modes of embodied cognition from the particular mo... Read More about The intimate archive: Sites of representation and embodiment in a reading of Drawing Matter.

Studio archaeology (2021)
Physical Artefact
Banou, S., Carless, T., Drozynski, C., Grogoriadou, E., Hynam, M., Littlefield, D., & Roush, P. Studio archaeology. [Paper, concertina and six pamphlets]. London

Spatial imagination, free-hand and digital drawing, model making and diagramming, modelling techniques, theoretical position, are a particular focus, this year, to focus upon the human occupation of space, the loss of social space correlating with th... Read More about Studio archaeology.

Draw of a Drawing (2020)
Conference Proceeding
Banou, S. (2020). Draw of a Drawing. In D. Hallama, R. Liptau, A. K. Hougaard, G. Lidia, C. Rikke Lyngsø, & E. Drach (Eds.), Artefakte des Entwerfens (182-191)

Draw of a Drawing is a transcription of the installation Kaleidoscopic City (a survey of Edinburgh focused on the transitory elements of the urban). As such it marks the moment that the elements of the survey are projected upon a single surface. Und... Read More about Draw of a Drawing.

Installation/Drawing: Spaces of drawing between art and architecture (2020)
Book Chapter
Banou, S. (2020). Installation/Drawing: Spaces of drawing between art and architecture. In K. Chorpening, & R. Fortnum (Eds.), A Companion to Contemporary Drawing (431-450). Wiley Blackwell

The text examines recent practices of expanding drawing from surfaces into three-dimensional constructs, through a review of drawing practices across architecture, installation art and land art. In particular, installations and architectural drawings... Read More about Installation/Drawing: Spaces of drawing between art and architecture.

Kaleidoscopic drawings: Sights and sites in the drawing of the city (2020)
Book Chapter
Banou, S. (2020). Kaleidoscopic drawings: Sights and sites in the drawing of the city. In S. Ewing, & I. Troiani (Eds.), Visual Research Methods in Architecture. Bristol: Intellect

The city’s presence is conventionally described and comprehended in architectural representation and print media through ocular-centric processes of figuration. Yet, the means through which this visualization proceeds is not strictly sensory, and at... Read More about Kaleidoscopic drawings: Sights and sites in the drawing of the city.

The architectural virtual: From language to experience (2020)
Book Chapter
Banou, S. (2020). The architectural virtual: From language to experience. In A. Hougaard, & M. Søberg (Eds.), The Arftul Plan: Architectural Drawing Reconfigured (206-221). Basel/Berlin/Boston: Birkhäuser

In recent decades, architecture has persistently engaged with defining its relationship to digitization. The practice of architectural drawing has often been at the centre of this discussion, which has questioned its relevance by putting emphasis on... Read More about The architectural virtual: From language to experience.

Out of place and off the grid: Dwelling on the architectural image (2019)
Presentation / Conference
Banou, S. (2019, December). Out of place and off the grid: Dwelling on the architectural image. Paper presented at Creativity and reality: The art of building future cities, 1st International Conference on Architecture, Sapienza University of Rome, Dipartimento di Architettura e Progetto, Rome, Italy

This paper looks into the concept of displacement as sketched out by the changing conditions of living in and experiencing the city, in the context of a digitised visual culture. As the city is now changing not through the physicality of form but thr... Read More about Out of place and off the grid: Dwelling on the architectural image.

Architectures of Drawing: critical drawing as spatial practice (2019)
Presentation / Conference
Banou, S. (2019, November). Architectures of Drawing: critical drawing as spatial practice. Paper presented at UWE Drawing Research Symposium, Arnolfini, Bristol

Architectural drawing relies on long lasting traditions of projective abstraction. Often compared to such analogical processes of thinking as translation from drawing to building (Evans), these conventions define rules for constructing but also for f... Read More about Architectures of Drawing: critical drawing as spatial practice.

The Intimate Archive: Rural Excursions in Drawing (2019)
Presentation / Conference
Banou, S. (2019, June). The Intimate Archive: Rural Excursions in Drawing. Paper presented at Frascari Symposium IV, The Secret Lives of Architectural Drawings and Models: From Translating to Archiving, Collecting, and Displaying, Kingston School of Art, London

In the Summer of 2017 I spent a week in a store in Shatwell Farm, situated in a North Somerset valley. Redesigned in 2014 by Hugh Strange in 2014, the barn is home to the collection of drawings, models and other architectural paraphernalia that Drawi... Read More about The Intimate Archive: Rural Excursions in Drawing.

Picture perfect: Maps and other measures of the contemporary city (2018)
Journal Article
Banou, S. (2018). Picture perfect: Maps and other measures of the contemporary city. lo Squaderno, 50, 7-12

Jorge Luis Borges’ short story ‘On Exactitude in Science’ (1946) has been referred to innumerous times: it features a map that is repeatedly revisited and scaled up, until it becomes contiguous with its referent object (the territory) and effaces it.... Read More about Picture perfect: Maps and other measures of the contemporary city.

How to draw the world: From the plan to an architectural storytelling (2017)
Presentation / Conference
Banou, S. (2017, November). How to draw the world: From the plan to an architectural storytelling. Paper presented at European Architectural History Network Conference: The Tools of the Architect, TU Delft, Netherlands

While with contemporary tools of navigation such as Google Maps we are today able to 'hold' the Earth in our hands, our architectural representations are increasingly turning their gaze away form this subject, abandoning the 'aerial' view of the plan... Read More about How to draw the world: From the plan to an architectural storytelling.

Drawn Utopias: From language to experience (2017)
Presentation / Conference
Banou, S. (2017, November). Drawn Utopias: From language to experience. Paper presented at Drawing Millions of Plans, The Royal Danish Academy of Fine Arts, School of Architecture, Copenhagen

Goodbye to Language (Adieu au Langage, 2015), was the first film by Jean-Luc Godard to make use of 3D filming techniques. Its title suggests a conflict between the word and the image while it can also be considered to refer to the concept of langage... Read More about Drawn Utopias: From language to experience.