All Outputs (17)

Rome at the Poetry Society (2019)
Exhibition / Performance

I’m invading The Poetry Society, throughout its centenary year, with Rome; an invitation to exhibit has been interpreted as an invitation to occupy. Invasion is messy and involves considerable negotiation: art, poetry, Rome collide. There is both sup... Read More about Rome at the Poetry Society.

Beaconsfield residency (2019)
Exhibition / Performance

This output consists of thirty works produced by Dean during her as artist-in-residency (March-November 2013) at the invitation of Beaconsfield directors David Crawforth and Naomi Siderfin (http://beaconsfield.ltd.uk/projects/judith-dean-residency/).... Read More about Beaconsfield residency.

Painting as food (2018)
Presentation / Conference Contribution

A performative lecture / presentation with a painting, Déjeuner sans L'herbe, acrylic and oil on linen, 100 x 50cm, and 2 texts (one with a powerpoint presentation).

Select All (Placemats 1 and 2) (2016)
Digital Artefact

2 A4 laminated drawings, ink on paper, 2016; installation with Little Sod, a bronze sculpture, c. 22 x 14 x 9cm, 2006.
Exhibited in Buffet d'Art, Meinblau Projektraum, Berlin, 2016.

Nosejob (2015)
Digital Artefact

Ink, digital prints, ply, 42 x 29.7cm, 2015.
Exhibited in '25', University of Westminster, London, 2015

Et Cetera (2015)
Digital Artefact

ink on glass, max 492 x 234cm, DeptfordX, 2015

Judith Dean - Phase 4 (2013)
Exhibition / Performance

Judith Dean was commissioned by the directors of Beaconsfield, London, to undertake a 6 month public facing residency, culminating in a venue-wide one-person exhibition. This was funded by the Arts Council.

Dean began the residency employing past... Read More about Judith Dean - Phase 4.

idonthaveyourmarbles (2011)
Exhibition / Performance

An international ongoing collaborative project operating within a pre-existing economic framework (ebay), in which artefacts (made / found objects of questionable value) are listed for 10 days a month, with invites to participate sent to members of t... Read More about idonthaveyourmarbles.

BLOCK BLOCK (2010)
Exhibition / Performance

Exhibition / Installation with Performances

Rome at the Poetry Society (2009)
Presentation / Conference Contribution

Rome (wasn’t) built in a day: Oslo version (2009)
Exhibition / Performance

Rome was built in a day using a wide range of materials, equipment and objects found, bought, and borrowed in Oslo the day before. Building was not confined to the space in which I was predominantly working. For a few hours the public could witness t... Read More about Rome (wasn’t) built in a day: Oslo version.

OperationRome (2009)
Exhibition / Performance

Dean was invited by Judith Palmer, director of the Poetry Society, London, to become artist-in-residence throughout the Society’s centenary year 2009. Dean’s art installation/performance OperationRome, drawing on her ongoing research into the spaces... Read More about OperationRome.

Investment
Exhibition / Performance

Investment is a silver cast of a (cancelled) credit card in my name, signed on the back either by the wax maker, the foundry director, or myself. Both sides of the piece must be visible to the viewer, preferably by picking it up.

Rome (wasn’t) built in a day, at The Walls in Three Places, Charlton Art Centre, Dover
Digital Artefact

3 photographic drawings were exhibited from an extensive series entitled Rome (wasn’t) built in a day. In all cases images were gleaned from the internet and collaged together by computer, to create drawings that speculate on ideas of building / crea... Read More about Rome (wasn’t) built in a day, at The Walls in Three Places, Charlton Art Centre, Dover.

Living in the Gesamtkunstwerk
Digital Artefact

A performance / lecture delivered as a powerpoint presentation, through which the everyday was posited as a Gesamtkunstwerk. C. 22 minutes.

Guide to Powerstock Common
Physical Artefact

Judith Dean was commissioned in 2011-12 to develop a year-long collaborative art project in relation to Powerstock Common, Dorset, a designated SSSI and AONB, for the project Road for the Future, curated by Anna Best. It was funded by the National Lo... Read More about Guide to Powerstock Common.

Fish Spy
Digital Artefact

Digital laminate prints, 51 x 21 x 5cm, 2016.