All Outputs (12)

The development of 2.5D printing for appearance re-creation: Exploring ancient Mexican artwork through European archives (2024)
Thesis
Trujillo Vazquez, A. The development of 2.5D printing for appearance re-creation: Exploring ancient Mexican artwork through European archives. (Thesis). University of the West of England. Retrieved from https://uwe-repository.worktribe.com/output/11147755

This thesis investigates the capabilities of printing technology in producing 2.5D prints and utilises these findings to recreate the appearance of artwork from ancient Mexico, focusing on two types of artwork: damaged pre-Hispanic wall stucco relief... Read More about The development of 2.5D printing for appearance re-creation: Exploring ancient Mexican artwork through European archives.

Printing with tonalli: Reproducing featherwork from precolonial Mexico using structural colorants (2023)
Journal Article
Trujillo-Vazquez, A., Abedini, F., Pranovich, A., Parraman, C., & Klein, S. (2023). Printing with tonalli: Reproducing featherwork from precolonial Mexico using structural colorants. Colorants, 2(4), 632-653. https://doi.org/10.3390/colorants2040033

Two of the most significant cases of extant 16th-century featherwork from Mexico are the so-called Moctezuma’s headdress and the Ahuizotl shield. While the feathers used in these artworks exhibit lightfast colors, their assembly comprises mainly orga... Read More about Printing with tonalli: Reproducing featherwork from precolonial Mexico using structural colorants.

RGB colour printing and halftoning for the reproduction of structural colour images (2023)
Presentation / Conference
Parraman, C., Klein, S., Vazquez, A., & Fuller, H. (2023, June). RGB colour printing and halftoning for the reproduction of structural colour images. Presented at Color Impact 2023, Rochester Institute of Technology

Commercial CMYK halftone printing involves additive and subtractive colour mixing that requires the optical mixing of primary colour hues using different-sized dots to obtain variations in reflected colour. Structural colour, as seen in nature, such... Read More about RGB colour printing and halftoning for the reproduction of structural colour images.

Near and far: An exhibition of artworks made by the printmaking staff at the University of the West of England (2023)
Exhibition / Performance
Klein, S., Trujillo Vazquez, A., Davis, A., Paz, A., Buxton, A., Goodman, B., …Arteaga, R. Near and far: An exhibition of artworks made by the printmaking staff at the University of the West of England. [Print]. Exhibited at Bower Ashton Gallery, University of the West of England, Bristol. 13 March 2023 - 24 March 2023. (Unpublished)

The exhibition by printmaking staff at the University of the West of England has become an annual event. At the end of the last exhibition the next one seems far away. But time flies and suddenly March is very near again, and panic begins. The theme... Read More about Near and far: An exhibition of artworks made by the printmaking staff at the University of the West of England.

Maxwell’s disappointment and Sutton’s accident (2022)
Journal Article
Klein, S., Elter, P., & Trujillo Vazquez, A. (2022). Maxwell’s disappointment and Sutton’s accident. Journal of Physics A: Mathematical and Theoretical, 55(49), Article 491002. https://doi.org/10.1088/1751-8121/aca8db

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell’s disappointment and Sutton’s accident.

Catching the light (2022)
Exhibition / Performance
Klein, S., Fuller, H., Kozlovska, E., & Trujillo Vazquez, A. Catching the light. [Printed]. Exhibited at Impact 12 conference, University of the West of England. 20 September 2022 - 24 September 2022. (Unpublished)

Every image catches the light. Light is what we see. It is an energy which only forms an image in our heads when it interacts with our environment and is translated in our brains into a fantasy of the world. How do we catch such an elusive entity?... Read More about Catching the light.

The Amber Project: A survey of methods and inks for the reproduction of the color of translucent objects (2022)
Journal Article
Trujillo-Vazquez, A., Fuller, H., Klein, S., & Parraman, C. (2022). The Amber Project: A survey of methods and inks for the reproduction of the color of translucent objects. Applied Sciences, 12(2), Article 793. https://doi.org/10.3390/app12020793

Unlike regular pigments based on selective light absorption, the so-called “effect pigments” are based on the phenomena of structural color, or selective reflectance. Structural color has appealing aesthetic qualities, such as angle-dependent hue, an... Read More about The Amber Project: A survey of methods and inks for the reproduction of the color of translucent objects.

Maxwell’s disappointment / Sutton’s accident (2021)
Presentation / Conference
Klein, S., Elter, P., Trujillo Vazquez, A., & Fahy, N. (2021, October). Maxwell’s disappointment / Sutton’s accident. Presented at Colour Fever, Online

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell’s disappointment / Sutton’s accident.

Recreating the relief of the temple of the Jaguars: Exploring digital and analogue 2.5D printing of Mesoamerican imagery (2021)
Conference Proceeding
Vazquez, A. T., Aure, X., Klein, S., & Parraman, C. (2021). Recreating the relief of the temple of the Jaguars: Exploring digital and analogue 2.5D printing of Mesoamerican imagery. In Printing for Fabrication Online 2021 Final Program and Proceedings (41-46). https://doi.org/10.2352/issn.2169-4451.2021.37.41

Digital and analogue printing methods are studied for reconstructing a Mayan decorative relief from the ancient temple of the Jaguars. Height maps, image files encoding height information as intensity values, were produced in commercial image editing... Read More about Recreating the relief of the temple of the Jaguars: Exploring digital and analogue 2.5D printing of Mesoamerican imagery.

CFPR Showcase (2020)
Exhibition / Performance
Boons, S., Field, L., Jorgensen, T., Dessain, C., Butler, A., Hoskins, S., …Trujillo Vazquez, A. CFPR Showcase. [Various]. 9 December 2020. (Unpublished)

Our shift towards the digital has provided us a new challenge: how can we offer an alternative experience that surpasses a physical visit to an exhibition? This showcase is a first response to this question. It includes a range of images, a video, an... Read More about CFPR Showcase.

Retrieving the ancient colours: Artistic practice as a tool for heritage reconstruction (2020)
Journal Article
Vazquez, A. T., Klein, S., Calvet, X. A., & Parraman, C. (2020). Retrieving the ancient colours: Artistic practice as a tool for heritage reconstruction. Color and Imaging Conference, 2020(28), 282-287. https://doi.org/10.2352/issn.2169-2629.2020.28.45

The frieze of the Palace of the stuccoes, dated between the 5 th and 6 th century BC, was a polychrome Maya relief discovered in the 1907 in Yucatán, Mexico. It was documented in watercolours and hand tinted photographs by Adela Breton. After years o... Read More about Retrieving the ancient colours: Artistic practice as a tool for heritage reconstruction.

The reconstruction of the appearance of the Acancéh frieze by 2.5D printing (2020)
Conference Proceeding
Klein, S., Trujillo Vazquez, A., Calvet, X. A., & Parraman, C. (in press). The reconstruction of the appearance of the Acancéh frieze by 2.5D printing

The aim of the project is to reconstruct the appearance of the Maya frieze of the Palace of the Stuccoes in Acancéh Yucatán, dating from c. 350 BC to AD 850. The frieze itself is destroyed by now but was documented by Adela Breton in 1907. Her waterc... Read More about The reconstruction of the appearance of the Acancéh frieze by 2.5D printing.